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Table of Contents

  1. Laying Blame: Gender and Subtext in David Mamet's Oleanna
  2. Thomas H. Goggans
  3. pp. 433-441
  4. DOI: https://doi.org/10.1353/mdr.1997.0006
  5. restricted access
  1. Feminism, Metatheatricality, and Mise-en-scène in Maria Irene Fornes's Fefu and Her Friends
  2. Penny Farfan
  3. pp. 442-453
  4. DOI: https://doi.org/10.1353/mdr.1997.0056
  5. restricted access
  1. "It's only a paper moon": The Paper Ontologies in Tennessee Williams's A Streetcar Named Desire
  2. Philip C. Kolin
  3. pp. 454-467
  4. DOI: https://doi.org/10.1353/mdr.1997.0032
  5. restricted access
  1. Female Victims and the Male Protagonist in Václav Havel's Drama
  2. Jude R. Meche
  3. pp. 468-476
  4. DOI: https://doi.org/10.1353/mdr.1997.0003
  5. restricted access
  1. Realism and the Female Subject in Jacqueline Rudet's Basin
  2. M. Susana Redondo
  3. pp. 477-488
  4. DOI: https://doi.org/10.1353/mdr.1997.0012
  5. restricted access
  1. "We're all free to do as we're told": Gender and Ideology in Tom Stoppard's The Real Thing
  2. Susanne Arndt
  3. pp. 489-501
  4. DOI: https://doi.org/10.1353/mdr.1997.0036
  5. restricted access
  1. Breaching the Body's Boundaries: Abjected Subject Positions in Postcolonial Drama
  2. Joanne Tompkins
  3. pp. 502-513
  4. DOI: https://doi.org/10.1353/mdr.1997.0048
  5. restricted access
  1. Re-Imaging the Black Woman's Body in Alexis De Veaux's The Tapestry
  2. P. Jane Splawn
  3. pp. 514-525
  4. DOI: https://doi.org/10.1353/mdr.1997.0037
  5. restricted access
  1. "Like ... so many small theatres": The Panoptic and the Theatric in Long Day's Journey into Night
  2. Michael Selmon
  3. pp. 526-539
  4. DOI: https://doi.org/10.1353/mdr.1997.0020
  5. restricted access
  1. The Chess Metaphor in Samuel Beckett's Endgame
  2. K. Jeevan Kumar
  3. pp. 540-552
  4. DOI: https://doi.org/10.1353/mdr.1997.0041
  5. restricted access
  1. A history of Scandinavian theatre by Frederick J. Marker and Lise-Lone Marker (review)
  2. John Lingard
  3. pp. 553-555
  4. DOI: https://doi.org/10.1353/mdr.1997.0052
  5. restricted access
  1. Understanding Arthur Miller by Alice Griffin (review)
  2. Jan Balakian
  3. pp. 555-556
  4. DOI: https://doi.org/10.1353/mdr.1997.0045
  5. restricted access
  1. The Emergence of the Modern American Theater 1914-1929 by Ronald H. Wainscott (review)
  2. Michael Vanden Heuvel
  3. pp. 556-558
  4. DOI: https://doi.org/10.1353/mdr.1997.0015
  5. restricted access
  1. Performing Asian America: Race and Ethnicity on the Contemporary Stage by Josephine Lee (review)
  2. Karen Shimakawa
  3. pp. 558-560
  4. DOI: https://doi.org/10.1353/mdr.1997.0028
  5. restricted access
  1. Terence Rattigan: A Biography by Geoffrey Wansell (review)
  2. Anthony Jenkins
  3. pp. 560-561
  4. DOI: https://doi.org/10.1353/mdr.1997.0023
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  1. Contributors
  2. pp. 563-564
  3. DOI: https://doi.org/10.1353/mdr.1997.0059
  4. restricted access
  1. Contents of Volume XL
  2. pp. 565-570
  3. DOI: https://doi.org/10.1353/mdr.1997.0009
  4. restricted access