In this Issue

Table of Contents

Modern Drama Studies: An Annual Bibliography

Lisa M. Pottie, Rebecca Cameron, Charles Costello
pp. 247-330
DOI: https://doi.org/10.1353/mdr.1996.0056
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A Developmental Stemma for Drafts and Revisions of Tennessee Williams's "Camino Real"

Brian Parker
pp. 331-341
DOI: https://doi.org/10.1353/mdr.1996.0070
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Book Reviews

The Theatrical Gamut: Notes for a Post-Beckettian Stage ed. by Enoch Brater (review)

Patricia Howard
pp. 342-343
DOI: https://doi.org/10.1353/mdr.1996.0085
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The World of Samuel Beckett, 1906-1946 by Lois Gordon (review)

Kimball King
pp. 344-346
DOI: https://doi.org/10.1353/mdr.1996.0005
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Directing Beckett ed. by Lois Oppenheim (review)

Carla Locatelli
pp. 346-349
DOI: https://doi.org/10.1353/mdr.1996.0021
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The Cambridge Companion to Brecht ed. by Peter Thomson and Glendyr Sacks (review)

David Krasner
pp. 349-351
DOI: https://doi.org/10.1353/mdr.1996.0036
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Staging Place: The Geography of Modern Drama by Una Chaudhuri (review)

William W. Demastes
pp. 352-353
DOI: https://doi.org/10.1353/mdr.1996.0051
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Stage Right: Crisis and Recovery in British Contemporary Mainstream Theatre by John Bull (review)

Maria Dicenzo
pp. 353-354
DOI: https://doi.org/10.1353/mdr.1996.0065
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Antonin Artaud and the Modern Theater ed. by Gene A. Plunka (review)

Erella Brown
pp. 355-356
DOI: https://doi.org/10.1353/mdr.1996.0079
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The Lost Summer: The Heyday of the West End Theatre by Charles Duff, and: The Plays of David Hare by Carol Homden (review)

Anthony Jenkins
pp. 356-358
DOI: https://doi.org/10.1353/mdr.1996.0094
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John Arden and Margaretta D'Arcy: A Casebook ed. by Jonathan Wike (review)

Paul Haxo
pp. 358-359
DOI: https://doi.org/10.1353/mdr.1996.0013
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Pinter in Play: Critical Strategies and the Plays of Harold Pinter by Susan Hollis Merritt (review)

Robert Baker-White
pp. 359-361
DOI: https://doi.org/10.1353/mdr.1996.0029
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Harold Pinter: A Question of Timing by Martin S. Regal (review)

Katherine H. Burkman
pp. 361-363
DOI: https://doi.org/10.1353/mdr.1996.0044
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Ibsen: A Doll's House by Egil Törnkvist (review)

John Lingard
pp. 363-364
DOI: https://doi.org/10.1353/mdr.1996.0059
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Chekhov's Plays: An Opening into Eternity by Richard Gilman (review)

Eileen Fischer
pp. 365-366
DOI: https://doi.org/10.1353/mdr.1996.0073
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Meyerhold: A Revolution in Theatre by Edward Braun (review)

Sharon Marie Carnicke
pp. 366-367
DOI: https://doi.org/10.1353/mdr.1996.0088
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Staging Depth: Eugene O'Neill and The Politics of Psychological Discourse by Joel Pfister (review)

Gerald M. Berkowitz
pp. 367-369
DOI: https://doi.org/10.1353/mdr.1996.0007
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Susan Glaspell: Essays on Her Theater and Fiction ed. by Linda Ben-Zvi (review)

Elaine Aston
pp. 369-370
DOI: https://doi.org/10.1353/mdr.1996.0023
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You Can Go Home Again: The Focus on Family in the Works of Horton Foote by Rebecca Luttrell Briley (review)

Charles S. Watson
pp. 370-372
DOI: https://doi.org/10.1353/mdr.1996.0038
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Harlequin in Hogtown: George Luscombe and Toronto Workshop Productions by Neil Carson (review)

Alan Filewod
pp. 372-374
DOI: https://doi.org/10.1353/mdr.1996.0053
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Contemporary Irish Drama: From Beckett to McGuinness by Anthony Roche (review)

Lionel Pilkington
pp. 374-375
DOI: https://doi.org/10.1353/mdr.1996.0067
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The Recurrence of Fate: Theatre and Memory in Twentieth-Century Russia by Spencer Golub (review)

Lurana Donnels O'Malley
pp. 375-377
DOI: https://doi.org/10.1353/mdr.1996.0082
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Dark Prisms: Occultism in Hispanic Drama by Robert Lima (review)

Erminio G. Neglia
pp. 377-378
DOI: https://doi.org/10.1353/mdr.1996.0001
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Contributors

p. 379
DOI: https://doi.org/10.1353/mdr.1996.0017
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