+ MUSE Alert

In this Issue

Table of Contents

  1. Modern Drama Studies: An Annual Bibliography
  2. Lisa M. Pottie, Rebecca Cameron, Charles Costello
  3. pp. 247-330
  4. DOI: https://doi.org/10.1353/mdr.1996.0056
  5. restricted access
  1. A Developmental Stemma for Drafts and Revisions of Tennessee Williams's "Camino Real"
  2. Brian Parker
  3. pp. 331-341
  4. DOI: https://doi.org/10.1353/mdr.1996.0070
  5. restricted access
  1. The Theatrical Gamut: Notes for a Post-Beckettian Stage ed. by Enoch Brater (review)
  2. Patricia Howard
  3. pp. 342-343
  4. DOI: https://doi.org/10.1353/mdr.1996.0085
  5. restricted access
  1. The World of Samuel Beckett, 1906-1946 by Lois Gordon (review)
  2. Kimball King
  3. pp. 344-346
  4. DOI: https://doi.org/10.1353/mdr.1996.0005
  5. restricted access
  1. Directing Beckett ed. by Lois Oppenheim (review)
  2. Carla Locatelli
  3. pp. 346-349
  4. DOI: https://doi.org/10.1353/mdr.1996.0021
  5. restricted access
  1. The Cambridge Companion to Brecht ed. by Peter Thomson and Glendyr Sacks (review)
  2. David Krasner
  3. pp. 349-351
  4. DOI: https://doi.org/10.1353/mdr.1996.0036
  5. restricted access
  1. Staging Place: The Geography of Modern Drama by Una Chaudhuri (review)
  2. William W. Demastes
  3. pp. 352-353
  4. DOI: https://doi.org/10.1353/mdr.1996.0051
  5. restricted access
  1. Stage Right: Crisis and Recovery in British Contemporary Mainstream Theatre by John Bull (review)
  2. Maria Dicenzo
  3. pp. 353-354
  4. DOI: https://doi.org/10.1353/mdr.1996.0065
  5. restricted access
  1. Antonin Artaud and the Modern Theater ed. by Gene A. Plunka (review)
  2. Erella Brown
  3. pp. 355-356
  4. DOI: https://doi.org/10.1353/mdr.1996.0079
  5. restricted access
  1. John Arden and Margaretta D'Arcy: A Casebook ed. by Jonathan Wike (review)
  2. Paul Haxo
  3. pp. 358-359
  4. DOI: https://doi.org/10.1353/mdr.1996.0013
  5. restricted access
  1. Pinter in Play: Critical Strategies and the Plays of Harold Pinter by Susan Hollis Merritt (review)
  2. Robert Baker-White
  3. pp. 359-361
  4. DOI: https://doi.org/10.1353/mdr.1996.0029
  5. restricted access
  1. Harold Pinter: A Question of Timing by Martin S. Regal (review)
  2. Katherine H. Burkman
  3. pp. 361-363
  4. DOI: https://doi.org/10.1353/mdr.1996.0044
  5. restricted access
  1. Ibsen: A Doll's House by Egil Törnkvist (review)
  2. John Lingard
  3. pp. 363-364
  4. DOI: https://doi.org/10.1353/mdr.1996.0059
  5. restricted access
  1. Chekhov's Plays: An Opening into Eternity by Richard Gilman (review)
  2. Eileen Fischer
  3. pp. 365-366
  4. DOI: https://doi.org/10.1353/mdr.1996.0073
  5. restricted access
  1. Meyerhold: A Revolution in Theatre by Edward Braun (review)
  2. Sharon Marie Carnicke
  3. pp. 366-367
  4. DOI: https://doi.org/10.1353/mdr.1996.0088
  5. restricted access
  1. Staging Depth: Eugene O'Neill and The Politics of Psychological Discourse by Joel Pfister (review)
  2. Gerald M. Berkowitz
  3. pp. 367-369
  4. DOI: https://doi.org/10.1353/mdr.1996.0007
  5. restricted access
  1. Susan Glaspell: Essays on Her Theater and Fiction ed. by Linda Ben-Zvi (review)
  2. Elaine Aston
  3. pp. 369-370
  4. DOI: https://doi.org/10.1353/mdr.1996.0023
  5. restricted access
  1. Harlequin in Hogtown: George Luscombe and Toronto Workshop Productions by Neil Carson (review)
  2. Alan Filewod
  3. pp. 372-374
  4. DOI: https://doi.org/10.1353/mdr.1996.0053
  5. restricted access
  1. Contemporary Irish Drama: From Beckett to McGuinness by Anthony Roche (review)
  2. Lionel Pilkington
  3. pp. 374-375
  4. DOI: https://doi.org/10.1353/mdr.1996.0067
  5. restricted access
  1. Dark Prisms: Occultism in Hispanic Drama by Robert Lima (review)
  2. Erminio G. Neglia
  3. pp. 377-378
  4. DOI: https://doi.org/10.1353/mdr.1996.0001
  5. restricted access
  1. Contributors
  2. p. 379
  3. DOI: https://doi.org/10.1353/mdr.1996.0017
  4. restricted access