In this Issue

Table of Contents

Ibsen's Tragicomedy: The Wild Duck

Verna A. Foster
pp. 287-297
DOI: https://doi.org/10.1353/mdr.1995.0004
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Why Doesn't the Chinese Nora Leave Her Husband?: Women's Emancipation in Post-1949 Chinese Drama

Constantine Tung
pp. 298-307
DOI: https://doi.org/10.1353/mdr.1995.0011
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Lucky's Dance in Waiting for Godot

Toby Silverman Zinman
pp. 308-323
DOI: https://doi.org/10.1353/mdr.1995.0018
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Cat on a Hot Tin Roof: The Uneasy Marriage of Success and Idealism

Marian Price
pp. 324-335
DOI: https://doi.org/10.1353/mdr.1995.0025
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Self-Consuming Artifacts: Power, Performance and the Body in Tennessee Williams' Suddenly Last Summer

Andrew Sofer
pp. 336-347
DOI: https://doi.org/10.1353/mdr.1995.0032
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Watching Over Frank McGuinness' Stereotypes

Helen Lojek
pp. 348-361
DOI: https://doi.org/10.1353/mdr.1995.0040
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Shakespeare's "Sisters": Desdemona, Juliet, and Constance Ledbelly in Goodnight Desdemona (Good Morning Juliet)

Laurin R. Porter
pp. 362-377
DOI: https://doi.org/10.1353/mdr.1995.0000
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The Scandal Maker: Thomas Bernhard and the Reception of Heldenplatz

Christine Kiebuzinska
pp. 378-388
DOI: https://doi.org/10.1353/mdr.1995.0008
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Athol Fugard and the Problematics of the Liberal Critique

Jeanne Colleran
pp. 389-407
DOI: https://doi.org/10.1353/mdr.1995.0015
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Edward Bond: An Interview

Hilde Klein
pp. 408-415
DOI: https://doi.org/10.1353/mdr.1995.0022
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Book Reviews

Ingmar Bergman: A Life in the Theatre by Lise-Lone Marker and Frederick J. Marker (review)

Charles Leland
pp. 416-418
DOI: https://doi.org/10.1353/mdr.1995.0029
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The Profession of the Playwright: British Theatre 1800-1900 by John Russell Stephens (review)

Russell Jackson
pp. 418-419
DOI: https://doi.org/10.1353/mdr.1995.0037
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David Mamet: A Casebook by Leslie Kane, and: David Mamet and Film: Illusion/Disillusion in a Wounded Land by Gay Brewer (review)

Lanelle Daniel
pp. 420-421
DOI: https://doi.org/10.1353/mdr.1995.0045
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The Canadian Dramatist, Volume Two: Playwrights of Collective Creation by Diane Bessai (review)

Maria Dicenzo
pp. 421-422
DOI: https://doi.org/10.1353/mdr.1995.0006
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Laughter in the Dark: The Plays of Alan Ayckbourn by Albert E. Kalson (review)

Stuart E. Baker
pp. 423-424
DOI: https://doi.org/10.1353/mdr.1995.0013
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Contemporary Feminist Theatres: To Each Her Own by Lizbeth Goodman, and: A Stage of Their Own: Feminist Playwrights of the Suffrage Era by Sheila Stowell (review)

Lesley Ferris
pp. 424-426
DOI: https://doi.org/10.1353/mdr.1995.0020
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Ionesco's Imperatives: The Politics of Culture by Rosette C. Lamont (review)

Elizabeth Klaver
pp. 426-428
DOI: https://doi.org/10.1353/mdr.1995.0027
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Rereading Shepard. Contemporary Critical Essays on the Plays of Sam Shepard ed. by Leonard Wilcox (review)

William W. Demastes
pp. 428-429
DOI: https://doi.org/10.1353/mdr.1995.0034
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Pinter at Sixty ed. by Katherine H. Burkman and John L. Kundert-Gibbs (review)

Arthur Ganz
pp. 429-431
DOI: https://doi.org/10.1353/mdr.1995.0042
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Contributors

pp. 432-433
DOI: https://doi.org/10.1353/mdr.1995.0002
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