Project MUSE - Modern Drama-Volume 37, Number 3, Fall 1994

How to Do Things with Salesmen: David Mamet's Speech-Act Play

David Worster

pp. 375-390

DOI: https://doi.org/10.1353/mdr.1994.0043

The Theatre of Punishment: David Henry Hwang's M. Butterfly and Michel Foucault's Discipline and Punish

Kathryn Remen

pp. 391-400

DOI: https://doi.org/10.1353/mdr.1994.0051

View Summary of The Theatre of Punishment: David Henry Hwang's M. Butterfly and Michel Foucault's Discipline and Punish
Download The Theatre of Punishment: David Henry Hwang's M. Butterfly and Michel Foucault's Discipline and Punish
Save The Theatre of Punishment: David Henry Hwang's M. Butterfly and Michel Foucault's Discipline and Punish

Victorian and Modern Drama: Social Convention and Theatrical Invention in T.W. Robertson's Plays

Patricia D. Denison

pp. 401-420

DOI: https://doi.org/10.1353/mdr.1994.0058

"Dame Joan, Saint Christabel"

Sheila Stowell

pp. 421-436

DOI: https://doi.org/10.1353/mdr.1994.0021

Adulteration as Clarity: Dramaturgical Strategy in Peter Nichols's Passion Play

William Storm

pp. 437-450

DOI: https://doi.org/10.1353/mdr.1994.0027

Learn to Play the Game: Learning and Teaching Strategies in Ann Jellicoe's The Knack

Laura Snyder

pp. 451-460

DOI: https://doi.org/10.1353/mdr.1994.0033

Re(dis)covering the Witches in Arthur Miller's The Crucible: A Feminist Reading

Wendy Schissel

pp. 461-473

DOI: https://doi.org/10.1353/mdr.1994.0040

Alice Gerstenberg's Overtones: The Demon in the Doll

Mary Maddock

pp. 474-484

DOI: https://doi.org/10.1353/mdr.1994.0048

In Defense of the Woman: Sophie Treadwell's Machinal

Jennifer Jones

pp. 485-496

DOI: https://doi.org/10.1353/mdr.1994.0054

The Rise of Metadrama and the Fall of the Omniscient Observer

Marie Lovrod

pp. 497-508

DOI: https://doi.org/10.1353/mdr.1994.0017

Authorization and Subversion of Myth in Shepard's Buried Child

Tucker Orbison

pp. 509-520

DOI: https://doi.org/10.1353/mdr.1994.0024

Still Looking Back: The Deconstruction of the Angry Young Man in Look Back in Anger and Déjàvu

Graham A. Dixon

pp. 521-529

DOI: https://doi.org/10.1353/mdr.1994.0030

Violent Acts: A Study of Contemporary Latin American Theatre by Severino João Albuquerque (review)

Sandra M. Cypess

pp. 530-531

DOI: https://doi.org/10.1353/mdr.1994.0036

The Modern Brazilian Stage by David George (review)

Scott T. Cummings

pp. 532-534

DOI: https://doi.org/10.1353/mdr.1994.0044

Slavic Drama. The Question of Innovation ed. by Andrew Donskov et al. (review)

Ralph Lindheim

pp. 534-535

DOI: https://doi.org/10.1353/mdr.1994.0052

Peter Shaffer by C.J. Gianakaris (review)

Gene A. Plunka

pp. 535-537

DOI: https://doi.org/10.1353/mdr.1994.0059

Levitating the Pentagon: Evolutions in the American Theatre of the Vietnam War Era by J.W. Fenn (review)

Eileen Fischer

pp. 537-538

DOI: https://doi.org/10.1353/mdr.1994.0022

Eugene O'Neill's Creative Struggle: The Decisive Decade, 1924-1933 by Doris Alexander (review)

Michael Manheim

pp. 538-540

DOI: https://doi.org/10.1353/mdr.1994.0028

Tennessee Williams & Elia Kazan: A Collaboration in the Theatre by Brenda Murphy (review)

Susan Spector

pp. 540-542

DOI: https://doi.org/10.1353/mdr.1994.0034

Sam Shepard by David Derose (review)

Leonard Wilcox

pp. 542-543

DOI: https://doi.org/10.1353/mdr.1994.0041

American Drama of the Twentieth Century by Gerald M. Berkowitz, and: Modern American Drama 1945-1990 by C.W.E. Bigsby (review)

Peter L. Hays

pp. 543-545

DOI: https://doi.org/10.1353/mdr.1994.0049

Approaching Theatre by André Helbo et al. (review)

Nancy Copeland

pp. 545-547

DOI: https://doi.org/10.1353/mdr.1994.0055

Contributors

pp. 548-549

DOI: https://doi.org/10.1353/mdr.1994.0018

ISSN	1712-5286
Print ISSN	0026-7694
Launched on MUSE	2013-07-03
Open Access	No

Modern Drama

In this Issue

Volume 37, Number 3, Fall 1994

published by

viewing issue

Table of Contents