In this Issue

Table of Contents

Articles

From Nora Helmer to Wendy Darling: If You Believe in Heroines, Clap Your Hands

John D. Shout
pp. 353-364
DOI: https://doi.org/10.1353/mdr.1992.0027
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L'Homme Fatal in Hedda Gabler

Mervyn Nicholson
pp. 365-377
DOI: https://doi.org/10.1353/mdr.1992.0001
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"The Furtive Event": Theorizing Feminist Spectatorship

Randi S. Koppen
pp. 378-394
DOI: https://doi.org/10.1353/mdr.1992.0051
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Whom Else: Gendered Consciousness and Wholeness in Krapp's Last Tape and Rockaby

Debra Malina
pp. 395-408
DOI: https://doi.org/10.1353/mdr.1992.0014
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"How Sweet the Kill": Orgiastic Female Violence in Contemporary Re-visions of Euripides' The Bacchae

Allison Hersh
pp. 409-423
DOI: https://doi.org/10.1353/mdr.1992.0017
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Feminist Nationalism in Scotland: Mary Queen of Scots Got Her Head Chopped Off

Ilona S. Koren-Deutsch
pp. 424-432
DOI: https://doi.org/10.1353/mdr.1992.0004
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Howard Barker: Modern Allegorist

Alan Thomas
pp. 433-443
DOI: https://doi.org/10.1353/mdr.1992.0035
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Bus Stop: American Eye vs. Small-Town Ear

William E. H. Meyer Jr.
pp. 444-450
DOI: https://doi.org/10.1353/mdr.1992.0039
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Caged Birds: Bad Faith in Tennessee Williams's Drama

Rita Colanzi
pp. 451-465
DOI: https://doi.org/10.1353/mdr.1992.0008
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The Dramatist's Dilemma

Christopher Innes
pp. 466-477
DOI: https://doi.org/10.1353/mdr.1992.0026
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Book Reviews

Shaw: Interviews and Recollections ed. by A.M. Gibbs (review)

A. E. Wallace Maurer
pp. 478-480
DOI: https://doi.org/10.1353/mdr.1992.0023
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Samuel Beckett, W. B. Yeats, and Jack Yeats: Images and Words by Gordon S. Armstrong (review)

Breon Mitchell
pp. 480-481
DOI: https://doi.org/10.1353/mdr.1992.0048
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Brian Friel by George O'Brien, and: Contemporary Irish Dramatists by Michael Etherton (review)

Ninian Mellamphy
pp. 481-483
DOI: https://doi.org/10.1353/mdr.1992.0031
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Kurt Weill: The Threepenny Opera by Stephen Hinton, and: Alban Berg: Lulu by Douglas Jarman (review)

Michael H. Kater
pp. 483-484
DOI: https://doi.org/10.1353/mdr.1992.0042
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Stanislavski: A Biography by Jean Benedetti (review)

Catherine Schuler
pp. 485-486
DOI: https://doi.org/10.1353/mdr.1992.0019
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The Theatre of Andrzej Wajda by Maciej Karpinski (review)

David Bradby
pp. 486-487
DOI: https://doi.org/10.1353/mdr.1992.0055
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The Moon Belongs to Everyone: Making Theatre with 7:84 by Elizabeth MacLennan, and: The Bone Won't Break: On Theatre and Hope in Hard Times by John McGrath (review)

Malcolm Page
pp. 487-489
DOI: https://doi.org/10.1353/mdr.1992.0010
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A Sociosemiotic Theory of Theatre by Jean Alter (review)

Michael Issacharoff
pp. 489-491
DOI: https://doi.org/10.1353/mdr.1992.0034
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Contributors

pp. 492-493
DOI: https://doi.org/10.1353/mdr.1992.0046
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