In this Issue

Table of Contents

Articles

Performance as Paradigm: the Example of Bali

David E. R. George
pp. 1-9
DOI: https://doi.org/10.1353/mdr.1992.0054
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Trading Art(s): Artaud, Spies, and Current Indonesian/American Artistic Exchange and Collaboration

Kathy Foley
pp. 10-19
DOI: https://doi.org/10.1353/mdr.1992.0037
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Reflections of Inner Life: Masks and Masked Acting in Ancient Greek Tragedy and Japanese Noh Drama

Martha Johnson
pp. 20-34
DOI: https://doi.org/10.1353/mdr.1992.0016
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Sada Yacco and Kawakami: Performers of Japonisme

Yoko Chiba
pp. 35-53
DOI: https://doi.org/10.1353/mdr.1992.0029
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Modern Chinese Drama and Its Western Models: A Critical Reconstruction of Chinese Subjectivity

Haiping Yan
pp. 54-64
DOI: https://doi.org/10.1353/mdr.1992.0030
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Rewriting History on China's Stage in an Intercultural Context

William H. Sun, Faye C. Fei
pp. 65-71
DOI: https://doi.org/10.1353/mdr.1992.0022
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Chinese Drama after the 1989 Crisis

Colin MacKerras
pp. 72-80
DOI: https://doi.org/10.1353/mdr.1992.0033
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The Anthropological Gaze and the Touristic Siting of Chinese America

James S. Moy
pp. 81-89
DOI: https://doi.org/10.1353/mdr.1992.0041
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30 Rupees for Shakespeare: a Consideration of Imperial Theatre in India

Christine Mangala Frost
pp. 90-100
DOI: https://doi.org/10.1353/mdr.1992.0045
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Contested Narratives on and off the Kathakaḷi Dance-Drama Stage

Phillip B. Zarrilli
pp. 101-116
DOI: https://doi.org/10.1353/mdr.1992.0038
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Showdown at Culture Gap: Images of the West in the Plays of Shuji Terayama

Carol Fisher Sorgenfrei
pp. 117-126
DOI: https://doi.org/10.1353/mdr.1992.0013
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Japanese Theatre from the 1980s: The Ludic Conspiracy

Robert T. Rolf
pp. 127-136
DOI: https://doi.org/10.1353/mdr.1992.0003
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L'Oeil Ecoute: The Impact of Traditional Japanese Theatre on Postwar Western Performance

John K. Gillespie
pp. 137-148
DOI: https://doi.org/10.1353/mdr.1992.0007
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Reading(,) Theatre(,) Techniques: Responding to the Influence of Asian Theatre in the Work of Ariane Mnouchkine

Adrian Kiernander
pp. 149-158
DOI: https://doi.org/10.1353/mdr.1992.0025
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Text Creation and Performance: A Kabuki Perspective

James R. Brandon
pp. 159-172
DOI: https://doi.org/10.1353/mdr.1992.0021
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Creating a Kabuki Western: Revenge at Spider Mountain

Leonard Pronko
pp. 173-181
DOI: https://doi.org/10.1353/mdr.1992.0050
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Contributors

pp. 183-185
DOI: https://doi.org/10.1353/mdr.1992.0012
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