In this Issue

Table of Contents

Articles

Metaphor and Community in The Lady from the Sea: Remitting Impediments through the Marriage of Skewed Minds

Richard L. Barr
pp. 467-482
DOI: https://doi.org/10.1353/mdr.1991.0023
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Galsworthy's Realism: A Revaluation

Art Borreca
pp. 483-493
DOI: https://doi.org/10.1353/mdr.1991.0034
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O'Neill, Nietzsche, and Cows

Samuel A. Weiss
pp. 494-498
DOI: https://doi.org/10.1353/mdr.1991.0021
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Forgiveness in O'Neill

Donald P. Costello
pp. 499-512
DOI: https://doi.org/10.1353/mdr.1991.0066
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The Antecedents of American Holocaust Drama and the Transformation of Werfel's Jacobowsky and the Colonel

Edward Isser
pp. 513-521
DOI: https://doi.org/10.1353/mdr.1991.0051
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The Failure of Technology in The Glass Menagerie

James Reynolds
pp. 522-527
DOI: https://doi.org/10.1353/mdr.1991.0037
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Blackmailed by Sex: Tennessee Williams and the Economics of Desire

Steven Bruhm
pp. 528-537
DOI: https://doi.org/10.1353/mdr.1991.0044
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Talk and Dramatic Action in American Buffalo

Thomas L. King
pp. 538-548
DOI: https://doi.org/10.1353/mdr.1991.0062
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Writing as a Process of Performing the Self: Sam Shepard's Notebooks

Gary Grant
pp. 549-565
DOI: https://doi.org/10.1353/mdr.1991.0030
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Book Reviews

Theater As Problem: Modern Drama and its Place in Literature by Benjamin Bennett (review)

Sharon Marie Carnicke
pp. 566-567
DOI: https://doi.org/10.1353/mdr.1991.0055
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Performing Feminisms: Feminist Critical Theory and Theatre ed. by Sue-Ellen Case (review)

Jeannette Laillou Savona
pp. 568-569
DOI: https://doi.org/10.1353/mdr.1991.0047
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Performance Theory by Richard Schechner (review)

Michael J. Sidnell
pp. 569-570
DOI: https://doi.org/10.1353/mdr.1991.0068
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Major Strategies in Twentieth Century Drama: Apocalyptic Vision, Allegory and Open Form by Estelle Manette Raben (review)

Rosette C. Lamont
pp. 571-573
DOI: https://doi.org/10.1353/mdr.1991.0015
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Adolphe Appia, Theatre Artist by Richard C. Beacham, and: Adolphe Appia: Essays, Scenarios, and Designs ed. by Richard C. Beacham (review)

J. L. Styan
pp. 573-575
DOI: https://doi.org/10.1353/mdr.1991.0010
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Modernism to Realism on the Soviet Stage by Nick Worrall (review)

Catherine Schuler
pp. 575-577
DOI: https://doi.org/10.1353/mdr.1991.0057
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Re-interpreting Brecht: His Influence on Contemporary Drama and Film ed. by Pia Kleber and Colin Visser (review)

John Fuegi
pp. 577-580
DOI: https://doi.org/10.1353/mdr.1991.0019
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Postmodern Brecht: A Re-Presentation by Elizabeth Wright (review)

Eileen Fischer
pp. 580-581
DOI: https://doi.org/10.1353/mdr.1991.0008
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Beckett in performance by Jonathan Kalb (review)

Toby Silverman Zinman
pp. 581-583
DOI: https://doi.org/10.1353/mdr.1991.0032
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New Tragedy and Comedy in France, 1945-70 by Peter Norrish (review)

John H. Reilly
pp. 584-585
DOI: https://doi.org/10.1353/mdr.1991.0026
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Vinaver dramaturge by Anne Ubersfeld (review)

Rosette C. Lamont
pp. 585-587
DOI: https://doi.org/10.1353/mdr.1991.0004
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Contents of Volume XXXIV

pp. 591-596
DOI: https://doi.org/10.1353/mdr.1991.0041
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Contributors

pp. 1-2
DOI: https://doi.org/10.1353/mdr.1991.0012
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