1. Bad Dressmakers and Well-Arranged Worlds: Fashion and Society Comedy
  2. Joel H. Kaplan
  3. pp. 327-339
  4. DOI: 10.1353/mdr.1991.0042
  5. restricted access contents
  1. The Music of The Cherry Orchard: Repetitions in the Russian Text
  2. Greta Anderson
  3. pp. 340-350
  4. DOI: 10.1353/mdr.1991.0013
  5. restricted access contents
  1. Beyond Damascus: an Examination of Strindberg's The Great Highway as a Last Play
  2. Douglas Abel
  3. pp. 351-368
  4. DOI: 10.1353/mdr.1991.0000
  5. restricted access contents
  1. Bakhtin's Chronotope: Time and Space in A Touch of the Poet and More Stately Mansions
  2. Laurin Porter
  3. pp. 369-382
  4. DOI: 10.1353/mdr.1991.0038
  5. restricted access contents
  1. Order Within Fragmentation: Postmodernism and the Stroke Victim's World
  2. Margot Anne Kelley
  3. pp. 383-391
  4. DOI: 10.1353/mdr.1991.0052
  5. restricted access contents
  1. The Hermeneutic Motion in Brian Friel's Translations
  2. Robert S. Smith
  3. pp. 392-409
  4. DOI: 10.1353/mdr.1991.0058
  5. restricted access contents
  1. Two Opposite Animals: Structural Pairing in Sam Shepard's A Lie of the Mind
  2. Gregory W. Lanier
  3. pp. 410-421
  4. DOI: 10.1353/mdr.1991.0005
  5. restricted access contents
  1. One for the Road, Mountain Language and the Impasse of Politics
  2. Marc Silverstein
  3. pp. 422-440
  4. DOI: 10.1353/mdr.1991.0048
  5. restricted access contents
  1. Vsevolod Myerhold by Robert Leach (review)
  2. James Fisher
  3. pp. 441-443
  4. DOI: 10.1353/mdr.1991.0056
  5. restricted access contents
  1. The Vital Lie: Reality and Illusion in Modern Drama by Anthony S. Abbott (review)
  2. Laura Morrow
  3. pp. 443-444
  4. DOI: 10.1353/mdr.1991.0027
  5. restricted access contents
  1. Discourse as Performance by Michael Issacharoff (review)
  2. Stanton B. Garner Jr.
  3. pp. 445-446
  4. DOI: 10.1353/mdr.1991.0009
  5. restricted access contents
  1. Sam Shepard: A Casebook ed. by Kimball King (review)
  2. Thea Diamond
  3. pp. 447-448
  4. DOI: 10.1353/mdr.1991.0045
  5. restricted access contents
  1. Why Beckett by Enoch Brater (review)
  2. Rosette C. Lamont
  3. pp. 449-451
  4. DOI: 10.1353/mdr.1991.0063
  5. restricted access contents
  1. Women in Beckett by Linda Ben-Zvi (review)
  2. Lois Gordon
  3. pp. 451-454
  4. DOI: 10.1353/mdr.1991.0020
  5. restricted access contents
  1. Howard Barker: Politics and Desire, an expository study of his drama and poetry, 1969-87 by David Ian Rabey (review)
  2. Alan Thomas
  3. pp. 454-456
  4. DOI: 10.1353/mdr.1991.0060
  5. restricted access contents
  1. The Plays of David Storey: A Thematic Study by William Hutchings (review)
  2. Clare Cross
  3. pp. 456-457
  4. DOI: 10.1353/mdr.1991.0035
  5. restricted access contents
  1. A History of Hispanic Theatre in the United States: Origins to 1940 by Nicolás Kanellos (review)
  2. Phyllis Zatlin
  3. pp. 458-459
  4. DOI: 10.1353/mdr.1991.0002
  5. restricted access contents
  1. Robert Wilson and His Collaborators by Laurence Shyer (review)
  2. Eileen Fisher
  3. pp. 459-461
  4. DOI: 10.1353/mdr.1991.0067
  5. restricted access contents
  1. Text and Supertext in Ibsen's Drama by Brian Johnston (review)
  2. Charles Leland
  3. pp. 461-463
  4. DOI: 10.1353/mdr.1991.0016
  5. restricted access contents
  1. Tom Stoppard: the Moral Vision of the Major Plays by Paul Delaney (review)
  2. Anthony Jenkins
  3. pp. 463-465
  4. DOI: 10.1353/mdr.1991.0031
  5. restricted access contents
  1. Contributors
  2. p. 1
  3. DOI: 10.1353/mdr.1991.0024
  4. restricted access contents