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In this Issue

Table of Contents

  1. A Comment on this Special Issue
  2. Jill Levenson
  3. p. 1
  4. DOI: https://doi.org/10.1353/mdr.1980.0040
  5. restricted access
  1. Peter Handke: The Staging of Language
  2. Rainer Nägele
  3. pp. 327-338
  4. DOI: https://doi.org/10.1353/mdr.1980.0043
  5. restricted access
  1. Politics and Poetry: Peter Handke's They Are Dying Out
  2. June Schlueter
  3. pp. 339-345
  4. DOI: https://doi.org/10.1353/mdr.1980.0046
  5. restricted access
  1. Peter Handke and the End of the "Modern"
  2. Michael Hays
  3. pp. 346-366
  4. DOI: https://doi.org/10.1353/mdr.1980.0049
  5. restricted access
  1. A Drama of Disease and Derision: The Plays of Thomas Bernhard
  2. Martin Esslin
  3. pp. 367-384
  4. DOI: https://doi.org/10.1353/mdr.1980.0052
  5. restricted access
  1. Moving into the Eighties: The German Theatre a Decade after the Breakthrough
  2. Peter Stenberg
  3. pp. 393-403
  4. DOI: https://doi.org/10.1353/mdr.1980.0038
  5. restricted access
  1. "Reject it, in order to possess it": On Heiner Müller and Bertolt Brecht
  2. Theo Girshausen, Peter Harris, Pia Kleber
  3. pp. 404-421
  4. DOI: https://doi.org/10.1353/mdr.1980.0042
  5. restricted access
  1. The Drama of the German Democratic Republic since Brecht: An Outline
  2. Gottfried Fischborn, Peter Harris, Pia Kleber
  3. pp. 422-434
  4. DOI: https://doi.org/10.1353/mdr.1980.0045
  5. restricted access
  1. The Emancipation of Dance: Pina Bausch and the Wuppertal Dance Theatre
  2. Norbert Servos, Peter Harris, Pia Kleber
  3. pp. 435-447
  4. DOI: https://doi.org/10.1353/mdr.1980.0048
  5. restricted access
  1. The Youth Plays of GRIPS
  2. Gerhard Fischer
  3. pp. 448-471
  4. DOI: https://doi.org/10.1353/mdr.1980.0051
  5. restricted access
  1. The Theatre of Franz Xaver Kroetz
  2. Ursula Schregel, Peter Harris, Pia Kleber
  3. pp. 472-483
  4. DOI: https://doi.org/10.1353/mdr.1980.0054
  5. restricted access
  1. The Plays of Bernhard, Bauer, and Handke: A Checklist of Major Critical Studies
  2. Charles A. Carpenter
  3. pp. 484-491
  4. DOI: https://doi.org/10.1353/mdr.1980.0037
  5. restricted access
  1. DDR-Dramatik: Major Critical Studies, 1966-78, of East German Playwrights
  2. Charles A. Carpenter
  3. pp. 492-500
  4. DOI: https://doi.org/10.1353/mdr.1980.0041
  5. restricted access
  1. Modern Drama and German Classicism: Renaissance from Lessing to Brecht by Benjamin Bennett (review)
  2. Gordon Tracy
  3. pp. 501-502
  4. DOI: https://doi.org/10.1353/mdr.1980.0044
  5. restricted access
  1. The Theatre of Erwin Piscator by John Willett (review)
  2. Christopher Innes
  3. pp. 502-504
  4. DOI: https://doi.org/10.1353/mdr.1980.0047
  5. restricted access
  1. The Dark Journey: John Whiting as Dramatist by Eric Salmon, and: Peter Shaffer by Dennis A. Klein (review)
  2. Malcolm Page
  3. pp. 504-507
  4. DOI: https://doi.org/10.1353/mdr.1980.0050
  5. restricted access
  1. Dreams of Passion: The Theater of Luigi Pirandello by Roger W. Oliver (review)
  2. Anne Paolucci
  3. pp. 507-508
  4. DOI: https://doi.org/10.1353/mdr.1980.0053
  5. restricted access
  1. Contributors
  2. pp. 509-510
  3. DOI: https://doi.org/10.1353/mdr.1980.0036
  4. restricted access
  1. Contents of Volume XXIII
  2. pp. 511-514
  3. DOI: https://doi.org/10.1353/mdr.1980.0039
  4. restricted access