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In this Issue

Table of Contents

  1. Introduction: Reframing the Fifties
  2. Julianne Burton-Carvajal
  3. pp. 5-27
  4. DOI: https://doi.org/10.1353/ntc.1998.0000
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Part I: the Big Picture

  1. Of Periodizations and Paradigms: The Fifties in Comparative Perspective
  2. Paulo Antonio Paranaguá
  3. pp. 31-44
  4. DOI: https://doi.org/10.1353/ntc.1998.0003
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  1. Emergencia y tensiones en el cine argentino de los años cincuenta
  2. Claudio España
  3. pp. 45-73
  4. DOI: https://doi.org/10.1353/ntc.1998.0006
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Part II: Social Transformations

  1. Cityscapes and Alienation: Buenos Aires in the Argentine Cinema, 1950-1960
  2. Laura Podalsky
  3. pp. 77-92
  4. DOI: https://doi.org/10.1353/ntc.1998.0009
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  1. Notes on Labor and the Intellectual Sector in Argentina Cinema in 1958: Tire Die and El Jefe
  2. Kathleen Newman
  3. pp. 93-100
  4. DOI: https://doi.org/10.1353/ntc.1998.0012
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  1. Visual Style and Racial Politics in Three Brazilian Features
  2. Robert Stam
  3. pp. 101-123
  4. DOI: https://doi.org/10.1353/ntc.1998.0014
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Part III: the Studio System

  1. The São Paulo Connection: The Companhia Cinematografica Vera Cruz and O Cangaceiro
  2. Ana M. Lopez
  3. pp. 127-154
  4. DOI: https://doi.org/10.1353/ntc.1998.0016
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  1. Dicen que soy comunista: Nationalist Anticommunism in Mexican Cinema of the 1950s
  2. Seth Fein
  3. pp. 155-172
  4. DOI: https://doi.org/10.1353/ntc.1998.0002
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  1. Carlos Schlieper, la comedia de autor
  2. Ronald Melzer
  3. pp. 173-189
  4. DOI: https://doi.org/10.1353/ntc.1998.0005
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Part IV: Documentary and National Identity

  1. Documentary Discourses and National Identity: Humberto Mauro's Brasiliana Series and Linduarte Noronha's Aruanda
  2. Randal Johnson
  3. pp. 193-206
  4. DOI: https://doi.org/10.1353/ntc.1998.0008
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  1. Araya Across Time and Space: Competing Canons of National (Venezuelan) and International Film History
  2. Julianne Burton-Carvajal
  3. pp. 207-234
  4. DOI: https://doi.org/10.1353/ntc.1998.0011
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Part V: Travelling Directors

  1. The American Buñuel: The Young One and the Politics of Exile
  2. Margarita de la Vega-Hurtado
  3. pp. 237-248
  4. DOI: https://doi.org/10.1353/ntc.1998.0013
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  1. Retrieving Orson Welles's Suspended Inter-American film, It's All True
  2. Catherine L. Benamou
  3. pp. 249-276
  4. DOI: https://doi.org/10.1353/ntc.1998.0015
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  1. Bajo cinco banderas: el cine multinacional de Carlos Hugo Christensen
  2. Jorge Ruffinelli
  3. pp. 277-325
  4. DOI: https://doi.org/10.1353/ntc.1998.0001
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  1. Conversaciones con Carlos Hugo Christensen
  2. Jorge Ruffinelli
  3. pp. 327-339
  4. DOI: https://doi.org/10.1353/ntc.1998.0004
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  1. Nereo López Recuerda...
  2. La Langosta Azul
  3. pp. 341-344
  4. DOI: https://doi.org/10.1353/ntc.1998.0007
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  1. Carta de Isaac León Frías
  2. Isaac León Frías
  3. pp. 345-346
  4. DOI: https://doi.org/10.1353/ntc.1998.0010
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