In this Issue

Table of Contents

Of Periodizations and Paradigms: The Fifties in Comparative Perspective

Paulo Antonio Paranaguá
pp. 31-44
DOI: https://doi.org/10.1353/ntc.1998.0003
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Emergencia y tensiones en el cine argentino de los años cincuenta

Claudio España
pp. 45-73
DOI: https://doi.org/10.1353/ntc.1998.0006
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Cityscapes and Alienation: Buenos Aires in the Argentine Cinema, 1950-1960

Laura Podalsky
pp. 77-92
DOI: https://doi.org/10.1353/ntc.1998.0009
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Notes on Labor and the Intellectual Sector in Argentina Cinema in 1958: Tire Die and El Jefe

Kathleen Newman
pp. 93-100
DOI: https://doi.org/10.1353/ntc.1998.0012
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Visual Style and Racial Politics in Three Brazilian Features

Robert Stam
pp. 101-123
DOI: https://doi.org/10.1353/ntc.1998.0014
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The São Paulo Connection: The Companhia Cinematografica Vera Cruz and O Cangaceiro

Ana M. Lopez
pp. 127-154
DOI: https://doi.org/10.1353/ntc.1998.0016
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Dicen que soy comunista: Nationalist Anticommunism in Mexican Cinema of the 1950s

Seth Fein
pp. 155-172
DOI: https://doi.org/10.1353/ntc.1998.0002
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Carlos Schlieper, la comedia de autor

Ronald Melzer
pp. 173-189
DOI: https://doi.org/10.1353/ntc.1998.0005
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Araya Across Time and Space: Competing Canons of National (Venezuelan) and International Film History

Julianne Burton-Carvajal
pp. 207-234
DOI: https://doi.org/10.1353/ntc.1998.0011
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The American Buñuel: The Young One and the Politics of Exile

Margarita de la Vega-Hurtado
pp. 237-248
DOI: https://doi.org/10.1353/ntc.1998.0013
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Retrieving Orson Welles's Suspended Inter-American film, It's All True

Catherine L. Benamou
pp. 249-276
DOI: https://doi.org/10.1353/ntc.1998.0015
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Bajo cinco banderas: el cine multinacional de Carlos Hugo Christensen

Jorge Ruffinelli
pp. 277-325
DOI: https://doi.org/10.1353/ntc.1998.0001
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Conversaciones con Carlos Hugo Christensen

Jorge Ruffinelli
pp. 327-339
DOI: https://doi.org/10.1353/ntc.1998.0004
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Nereo López Recuerda...

La Langosta Azul
pp. 341-344
DOI: https://doi.org/10.1353/ntc.1998.0007
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Carta de Isaac León Frías

Isaac León Frías
pp. 345-346
DOI: https://doi.org/10.1353/ntc.1998.0010
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Introduction: Reframing the Fifties

Julianne Burton-Carvajal
pp. 5-27
DOI: https://doi.org/10.1353/ntc.1998.0000
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Documentary Discourses and National Identity: Humberto Mauro's Brasiliana Series and Linduarte Noronha's Aruanda

Randal Johnson
pp. 193-206
DOI: https://doi.org/10.1353/ntc.1998.0008
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