Modern Drama

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Acting for Beckett

Ruby Cohn

p. 237

DOI: https://doi.org/10.1353/mdr.1966.0042

Beckett and Expressionism

Jean-Jacques Mayoux

pp. 238-241

DOI: https://doi.org/10.1353/mdr.1966.0049

Action and Play in Beckett's Theater

John Fletcher

pp. 242-250

DOI: https://doi.org/10.1353/mdr.1966.0055

Samuel Beckett's Dramatic Language

Wolfgang Iser

pp. 251-259

DOI: https://doi.org/10.1353/mdr.1966.0061

Beckett and the Spirit of the Commedia dell'Arte

Edith Kern

pp. 260-267

DOI: https://doi.org/10.1353/mdr.1966.0067

Godotology

There's Lots of Time in Godot

Richard Schechner

pp. 268-276

DOI: https://doi.org/10.1353/mdr.1966.0033

Beckett's "Godot" and the Myth of Alienation

Gábor Mihályi

pp. 277-282

DOI: https://doi.org/10.1353/mdr.1966.0039

Beckett and Ionesco: The Tragic Awareness of Pascal and the Ironic Awareness of Flaubert

Jacques Dubois

pp. 283-291

DOI: https://doi.org/10.1353/mdr.1966.0046

The Mythic Pattern in Waiting for Godot

Curtis M. Brooks

pp. 292-299

DOI: https://doi.org/10.1353/mdr.1966.0053

Crritic!

Melvin J. Friedman

pp. 300-308

DOI: https://doi.org/10.1353/mdr.1966.0059

A Note on the Structure of Lucky's Speech

Anselm Atkins

p. 309

DOI: https://doi.org/10.1353/mdr.1966.0065

Singulars

The Comic Apocalypse of King Hamm

John J. Sheedy

pp. 310-318

DOI: https://doi.org/10.1353/mdr.1966.0071

The Beginning of Endgame

Ruby Cohn

pp. 319-323

DOI: https://doi.org/10.1353/mdr.1966.0037

The Symbolic Structure of Samuel Beckett's All That Fall

David J. Alpaugh

pp. 324-332

DOI: https://doi.org/10.1353/mdr.1966.0044

Krapp's Last Tape and the Proustian Vision

Arthur K. Oberg

pp. 333-338

DOI: https://doi.org/10.1353/mdr.1966.0051

Beckett's Play Between Poetry and Performance

Renée Riese Hubert

pp. 339-346

Previous Issue

Volume 9, Number 2, September 1966

Next Issue

Volume 9, Number 4, February 1966

Additional Information
ISSN	1712-5286
Print ISSN	0026-7694
Launched on MUSE	2013-07-03
Open Access	No