In this Issue

Table of Contents

The Biblical Ruth as Dama Principal: Tirso’s La mejor espigadera

Matthew D. Stroud
pp. 1-13
DOI: https://doi.org/10.1353/boc.2012.0037
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Warrior Women, Unmanly Men: Mira de Amescua’s El clavo de Jael

Gwyn E. Campbell
pp. 15-32
DOI: https://doi.org/10.1353/boc.2012.0034
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Family Ties: Los trabajos de David y finezas de Michol and Las niñezes y primer triunfo de David

William R. Blue
pp. 33-43
DOI: https://doi.org/10.1353/boc.2012.0047
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From the Beautiful to the Sublime in Calderón’s El pintor de su deshonra

Ariadna García-Bryce
pp. 45-64
DOI: https://doi.org/10.1353/boc.2012.0045
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La ambigüedad interpretativa de El alcalde de Zalamea

José Manuel Hidalgo
pp. 65-82
DOI: https://doi.org/10.1353/boc.2012.0043
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Violent Masculinity Onstage and Off: A Rereading of Ana Caro’s Valor, agravio y mujer through the Memoir of Catalina de Erauso

Rosie Seagraves
pp. 83-99
DOI: https://doi.org/10.1353/boc.2012.0041
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Tirso de Molina and His Nephew: The Case for the Real Existence of Francisco Lucas de Ávila

Henry Wells Sullivan, Luciana da Cunha Monteiro
pp. 101-136
DOI: https://doi.org/10.1353/boc.2012.0038
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Comedias ‘desdobladas’: Técnicas comerciales en El príncipe prodigioso de Juan de Matos y Agustín Moreto

Oana Andreia Sambrian
pp. 137-151
DOI: https://doi.org/10.1353/boc.2012.0035
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Cognitive Theories of Genre: The Prototype Effect and Early Modern Spanish Tragedy

Barbara Simerka
pp. 153-170
DOI: https://doi.org/10.1353/boc.2012.0033
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El periplo artístico de la escenificación de un clásico: La moza de cántaro de Lope de Vega

Esther Fernández
pp. 171-194
DOI: https://doi.org/10.1353/boc.2012.0046
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The Conquest on Trial (review)

Benito Quintana
pp. 195-197
DOI: https://doi.org/10.1353/boc.2012.0044
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El teatro en Murcia en el siglo XVII (1593–1695). Estudio y documentos (review)

Vanessa Cañete Jurado
pp. 198-200
DOI: https://doi.org/10.1353/boc.2012.0042
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The Persistence of Presence: Emblem and Ritual in Baroque Spain (review)

Charles Patterson
pp. 201-202
DOI: https://doi.org/10.1353/boc.2012.0039
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Reading Performance: Spanish Golden-Age Theatre and Shakespeare on the Modern Stage (review)

Margaret E. Boyle
pp. 203-204
DOI: https://doi.org/10.1353/boc.2012.0036
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Editor’s Note

Edward H. Friedman
p. ix
DOI: https://doi.org/10.1353/boc.2012.0040
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