In this Issue

Table of Contents

The Ideologies of Le Printemps 71: Adamov's "Metamorphosis" Reconsidered

Gerhard Fischer
pp. 97-108
DOI: https://doi.org/10.1353/mdr.1979.0001
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The Significance of the Trial Scenes in Ondine and The Madwoman of Chaillot

Mark C. Pilkinton
pp. 109-114
DOI: https://doi.org/10.1353/mdr.1979.0007
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The Function of Repetition in the Plays of Chekhov

Clayton A. Hubbs
pp. 115-124
DOI: https://doi.org/10.1353/mdr.1979.0013
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The Silver Tassie: The Post-World-War-I Legacy

Ronald G. Rollins, Llewellyn Rabby
pp. 125-135
DOI: https://doi.org/10.1353/mdr.1979.0018
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Modern Drama Studies: An Annual Bibliography

Charles A. Carpenter
pp. 137-200
DOI: https://doi.org/10.1353/mdr.1979.0023
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Book Reviews

The Theater Essays of Arthur Miller ed. by Robert A. Martin (review)

Leonard Moss
pp. 201-203
DOI: https://doi.org/10.1353/mdr.1979.0028
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Tennessee Williams: A Tribute ed. by Jac Tharpe, and: Tennessee Williams: A Collection of Critical Essays ed. by Stephen S. Stanton (review)

Judith Hersh Clark
pp. 203-210
DOI: https://doi.org/10.1353/mdr.1979.0033
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English Drama, 1900-1950: A Guide to Information Sources by E. H. Mikhail, and: Contemporary British Drama, 1950-1976: An Annotated Critical Blbliography by E. H. Mikhail (review)

Charles A. Carpenter
pp. 210-214
DOI: https://doi.org/10.1353/mdr.1979.0004
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Contributors Notes

p. 1
DOI: https://doi.org/10.1353/mdr.1979.0010
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