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Table of Contents

  1. Nishikigi and Yeats's The Dreaming of the Bones
  2. David R. Clark
  3. pp. 111-125
  4. DOI: https://doi.org/10.1353/mdr.1964.0040
  5. restricted access
  1. Strindberg and Lagerkvist
  2. Irene Scobbie
  3. pp. 126-134
  4. DOI: https://doi.org/10.1353/mdr.1964.0050
  5. restricted access
  1. Feathers Finely Aflutther
  2. Ronald Ayling
  3. pp. 135-147
  4. DOI: https://doi.org/10.1353/mdr.1964.0059
  5. restricted access
  1. Conrad's Stage Victory
  2. Robert S. Ryf
  3. pp. 148-160
  4. DOI: https://doi.org/10.1353/mdr.1964.0003
  5. restricted access
  1. Strindberg and the English Theatre
  2. Margery M. Morgan
  3. pp. 161-173
  4. DOI: https://doi.org/10.1353/mdr.1964.0014
  5. restricted access
  1. Susan Glaspell and the Provincetown
  2. Arthur E. Waterman
  3. pp. 174-184
  4. DOI: https://doi.org/10.1353/mdr.1964.0025
  5. restricted access
  1. Winterset: A Modern Revenge Tragedy
  2. Francis E. Abernethy
  3. pp. 185-189
  4. DOI: https://doi.org/10.1353/mdr.1964.0036
  5. restricted access
  1. Myth and the American Dream: O'Neill to Albee
  2. Jordan Y. Miller
  3. pp. 190-198
  4. DOI: https://doi.org/10.1353/mdr.1964.0046
  5. restricted access
  1. Two Plays by Billetdoux
  2. Bettina L. Knapp
  3. pp. 199-203
  4. DOI: https://doi.org/10.1353/mdr.1964.0055
  5. restricted access
  1. Beckett's Endgame: An Anti-Myth of Creation
  2. Charles R. Lyons
  3. pp. 204-209
  4. DOI: https://doi.org/10.1353/mdr.1964.0064
  5. restricted access
  1. Existential "Character-Ideas" in Camus' The Misunderstanding
  2. Ralph Behrens
  3. pp. 210-212
  4. DOI: https://doi.org/10.1353/mdr.1964.0009
  5. restricted access
  1. Letter from New York
  2. John Unterecker
  3. pp. 223-230
  4. DOI: https://doi.org/10.1353/mdr.1964.0031
  5. restricted access
  1. The Golden Labyrinth: A Study of British Drama by G. Wilson Knight (review)
  2. Frederick P. W. McDowell
  3. pp. 231-233
  4. DOI: https://doi.org/10.1353/mdr.1964.0041
  5. restricted access
  1. The Last Four Lives of Annie Besant by Arthur H. Nerhercot (review)
  2. George R. Waggoner
  3. pp. 233-234
  4. DOI: https://doi.org/10.1353/mdr.1964.0051
  5. restricted access
  1. Religious Drama: Ends and Means by Harold Ehrensperger (review)
  2. Emile G. McAnany S.J.
  3. pp. 234-235
  4. DOI: https://doi.org/10.1353/mdr.1964.0060
  5. restricted access
  1. T. S. Eliot's Dramatic Theory and Practice by Carol H. Smith (review)
  2. David E. Jones
  3. pp. 235-236
  4. DOI: https://doi.org/10.1353/mdr.1964.0069
  5. restricted access
  1. The Contributors
  2. p. iii
  3. DOI: https://doi.org/10.1353/mdr.1964.0067
  4. restricted access