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Table of Contents

  1. "Acting it out": Sam Shepard's Action
  2. Gerry McCarthy
  3. pp. 1-12
  4. DOI: https://doi.org/10.1353/mdr.1981.0009
  5. restricted access
  1. The Tooth of Crime: Sam Shepard's Way With Music
  2. Bruce W. Powe
  3. pp. 13-25
  4. DOI: https://doi.org/10.1353/mdr.1981.0022
  5. restricted access
  1. The Troubled Flight of Tennessee Williams's Sweet Bird: From Manuscript through Published Texts
  2. Drewey Wayne Gunn
  3. pp. 26-35
  4. DOI: https://doi.org/10.1353/mdr.1981.0035
  5. restricted access
  1. The Duality of Power in the Theater of Luis Riaza
  2. Hazel Cazorla
  3. pp. 36-43
  4. DOI: https://doi.org/10.1353/mdr.1981.0047
  5. restricted access
  1. Reality Perception and Stage Setting in Griselda Gámbaro's Las paredes and Antonio Buero Vallejo's La fundación
  2. Peter L. Podol
  3. pp. 44-53
  4. DOI: https://doi.org/10.1353/mdr.1981.0058
  5. restricted access
  1. The Role of the "Guardians" in T. S. Eliot's Cocktail Party
  2. Hildegard Hammerschmidt
  3. pp. 54-66
  4. DOI: https://doi.org/10.1353/mdr.1981.0068
  5. restricted access
  1. Thematic Contexts in Four of Yeats's Plays
  2. Anca Vlasopolos
  3. pp. 67-72
  4. DOI: https://doi.org/10.1353/mdr.1981.0005
  5. restricted access
  1. Justice Breeds Murder: Justice in Dürrenmatt as Theme and as Theatrical Material
  2. Gabrielle Robinson
  3. pp. 73-87
  4. DOI: https://doi.org/10.1353/mdr.1981.0017
  5. restricted access
  1. Drama in the Netherlands
  2. Hans van den Bergh
  3. pp. 88-95
  4. DOI: https://doi.org/10.1353/mdr.1981.0030
  5. restricted access
  1. Studies of Wole Soyinka's Drama: An International Bibliography
  2. Charles A. Carpenter
  3. pp. 96-101
  4. DOI: https://doi.org/10.1353/mdr.1981.0042
  5. restricted access
  1. Feminist Drama: Definition and Critical Analysis by Janet Brown (review)
  2. Rosemary Curb
  3. pp. 102-104
  4. DOI: https://doi.org/10.1353/mdr.1981.0053
  5. restricted access
  1. The Theatre of Fernando Arrabal: A Garden of Earthly Delights by Thomas John Donahue (review)
  2. Bettina L. Knapp
  3. pp. 104-106
  4. DOI: https://doi.org/10.1353/mdr.1981.0064
  5. restricted access
  1. The Clown in Modern Anglo-Irish Drama by Elizabeth Hale Winkler (review)
  2. Arthur E. McGuinness
  3. pp. 106-107
  4. DOI: https://doi.org/10.1353/mdr.1981.0000
  5. restricted access
  1. William Butler Yeats by Anthony Bradley (review)
  2. Natalie Crohn Schmitt
  3. pp. 107-108
  4. DOI: https://doi.org/10.1353/mdr.1981.0012
  5. restricted access
  1. Shaw and Ibsen: Bernard Shaw's The Quintessence of Ibsenism and Related Writings ed. by J.L. Wisenthal (review)
  2. Norma Jenckes
  3. pp. 108-110
  4. DOI: https://doi.org/10.1353/mdr.1981.0025
  5. restricted access
  1. Critical Essays on Arthur Miller ed. by James J. Martine (review)
  2. Leonard Moss
  3. pp. 110-112
  4. DOI: https://doi.org/10.1353/mdr.1981.0037
  5. restricted access
  1. Tennessee Williams by Felicia Hardison Londré (review)
  2. Maurice Yacowar
  3. pp. 112-113
  4. DOI: https://doi.org/10.1353/mdr.1981.0049
  5. restricted access
  1. The Great Pendulum of Becoming: Images in Modern Drama by Nelvin Vos (review)
  2. June Schlueter
  3. pp. 113-115
  4. DOI: https://doi.org/10.1353/mdr.1981.0060
  5. restricted access
  1. Twenty Modern British Playwrights: A Bibliography, 1956 to 1976 by Kimball King, and: Ten Modern Irish Playwrights: A Comprehensive Annotated Bibliography by Kimball King (review)
  2. Charles A. Carpenter
  3. pp. 116-119
  4. DOI: https://doi.org/10.1353/mdr.1981.0007
  5. restricted access
  1. Sean O'Casey: A Bibliography by Ronald Ayling and Michael J. Durkan, and: John Millington Synge: A Reference Guide by Edward A. Kopper, Jr. (review)
  2. Charles A. Carpenter
  3. pp. 119-121
  4. DOI: https://doi.org/10.1353/mdr.1981.0020
  5. restricted access
  1. Waiting for Death: The Philosophical Significance of Beckett's En attendant Godot by Ramona Cormier and Janis L. Pallister, and: The Transformations of Godot by Frederick Busi (review)
  2. Kristin Morrison
  3. pp. 121-123
  4. DOI: https://doi.org/10.1353/mdr.1981.0033
  5. restricted access
  1. The End of the World: An Introduction to Contemproary Drama by Maurice Valency (review)
  2. Leonard C. Pronko
  3. pp. 115-116
  4. DOI: https://doi.org/10.1353/mdr.1981.0070
  5. restricted access
  1. Contributors
  3. pp. 124-125
  4. DOI: https://doi.org/10.1353/mdr.1981.0045
  5. restricted access