In this Issue

Table of Contents

The Integrity of Juno and the Paycock

William A. Armstrong
pp. 1-9
DOI: https://doi.org/10.1353/mdr.1973.0071
restricted access

From Ritual to Romance in Within the Gates and Cock-a-Doodle-Dandy

Ronald G. Rollins
pp. 11-18
DOI: https://doi.org/10.1353/mdr.1973.0010
restricted access

Synge's The Shadow of the Glen: Repetition and Allusion

Nicholas Grene
pp. 19-25
DOI: https://doi.org/10.1353/mdr.1973.0021
restricted access

Widowers' Houses: A Question of Genre

Bernard F. Dukore
pp. 27-32
DOI: https://doi.org/10.1353/mdr.1973.0033
restricted access

The World is a Stage: Sartre versus Genet

Jerry L. Curtis
pp. 33-41
DOI: https://doi.org/10.1353/mdr.1973.0045
restricted access

"Damn Everything but the Circus": Popular Art in the Twenties and him

Marjorie Smelstor S.C.
pp. 43-55
DOI: https://doi.org/10.1353/mdr.1973.0056
restricted access

Uncle Tom's Cabin and Modern Chinese Drama

Walter J. Meserve, Ruth I. Meserve
pp. 57-66
DOI: https://doi.org/10.1353/mdr.1973.0067
restricted access

Modern Drama Studies: An Annual Bibliography

Charles A. Carpenter
pp. 67-120
DOI: https://doi.org/10.1353/mdr.1973.0006
restricted access

Book Reviews

The Essential Brecht by John Fuegi (review)

Helge Hultberg
pp. 121-122
DOI: https://doi.org/10.1353/mdr.1973.0017
restricted access

Listen to the Wind by James Reaney, and: Colours in the Dark by James Reaney, and: The Ecstasy of Rita Joe by George Ryga, and: Captives of the Faceless Drummer by George Ryga, and: Rinse Cycle by Jackie Crossland & Rudy LaValle, and: Crabdance by Beverly Simons, and: Ashes for Easter and Other Monodramas by David Watmough (review)

Michael Mason
pp. 122-124
DOI: https://doi.org/10.1353/mdr.1973.0028
restricted access

Contributors

p. 1
DOI: https://doi.org/10.1353/mdr.1973.0040
restricted access