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Table of Contents

  1. The Divina Commedia as Model and Anti-Model for The Investigation by Peter Weiss
  2. Erika Salloch
  3. pp. 1-12
  4. DOI: https://doi.org/10.1353/mdr.1971.0066
  5. restricted access
  1. A Word from the Silent Partner: A Book About Nemirovich-Danchenko
  2. Steven P. Hill
  3. pp. 13-22
  4. DOI: https://doi.org/10.1353/mdr.1971.0009
  5. restricted access
  1. A Private Mythology: The Manuscripts and Plays of John Whiting
  2. Gabriele Scott Robinson
  3. pp. 23-36
  4. DOI: https://doi.org/10.1353/mdr.1971.0055
  5. restricted access
  1. "Punctuation" and Patterning in The Homecoming
  2. John Dawick
  3. pp. 37-46
  4. DOI: https://doi.org/10.1353/mdr.1971.0070
  5. restricted access
  1. Sean O'Casey and Expressionism
  2. Joan Templeton
  3. pp. 47-62
  4. DOI: https://doi.org/10.1353/mdr.1971.0004
  5. restricted access
  1. Paul Claudel's Le Soulier de Satin as a Baroque Drama
  2. Lorraine S. Bugrhardt
  3. pp. 63-71
  4. DOI: https://doi.org/10.1353/mdr.1971.0059
  5. restricted access
  1. Interdisciplinary Roots of the Theater of the Absurd
  2. Jerome Ashmore
  3. pp. 72-83
  4. DOI: https://doi.org/10.1353/mdr.1971.0048
  5. restricted access
  1. The Metaphoric Structure of A Man for All Seasons
  2. Joseph R. McElrath Jr.
  3. pp. 84-92
  4. DOI: https://doi.org/10.1353/mdr.1971.0021
  5. restricted access
  1. William Vaughn Moody: The Dramatist as Social Philosopher
  2. Jerry V. Pickering
  3. pp. 93-103
  4. DOI: https://doi.org/10.1353/mdr.1971.0033
  5. restricted access
  1. Günter Grass: A Kashubian G.B.S.
  2. James Redmond
  3. pp. 104-113
  4. DOI: https://doi.org/10.1353/mdr.1971.0044
  5. restricted access
  1. The Peopled Wound: The Work of Harold Pinter by Martin Esslin (review)
  2. Susan Rusinko
  3. pp. 114-115
  4. DOI: https://doi.org/10.1353/mdr.1971.0006
  5. restricted access
  1. Currents in Contemporary Drama by Ruby Cohn (review)
  2. C. J. Gianakaris
  3. p. 116
  4. DOI: https://doi.org/10.1353/mdr.1971.0018
  5. restricted access
  1. A Drama of Souls: Studies In O'Neill's Super-Naturalistic Technique by Egil Törnqvist (review)
  2. Louis Sheaffer
  3. pp. 117-118
  4. DOI: https://doi.org/10.1353/mdr.1971.0030
  5. restricted access
  1. The Plays of John Osborne: An Assessment by Simon Trussler (review)
  2. James M. Ware
  3. pp. 118-119
  4. DOI: https://doi.org/10.1353/mdr.1971.0042
  5. restricted access
  1. Portrait of the Artist as a Young Superman: A Study of Shaw's Novels by R. F. Dietrich (review)
  2. Raymond S. Nelson
  3. pp. 119-120
  4. DOI: https://doi.org/10.1353/mdr.1971.0053
  5. restricted access
  1. Jean Cocteau by Bettina L. Knapp (review)
  2. Laurent LeSage
  3. pp. 120-121
  4. DOI: https://doi.org/10.1353/mdr.1971.0064
  5. restricted access
  1. On Thrones of Gold: Three Javanese Shadow Plays ed. by James H. Brandon (review)
  2. A. C. Scott
  3. pp. 121-122
  4. DOI: https://doi.org/10.1353/mdr.1971.0002
  5. restricted access
  1. The Playwright and Historical Change: Dramatic Strategies in Brecht, Hauptmann, Kaiser and Wedekind by Leroy R. Shaw (review)
  2. N. Joseph Calarco
  3. pp. 122-123
  4. DOI: https://doi.org/10.1353/mdr.1971.0014
  5. restricted access
  1. Robert E. Sherwood: Reluctant Moralist by Walter J. Meserve, and: The Ordeal of a Playwright: Robert E. Sherwood and the Challenge of War by John Mason Brown (review)
  2. Charles G. Masinton
  3. pp. 123-124
  4. DOI: https://doi.org/10.1353/mdr.1971.0026
  5. restricted access
  1. Books in Brief
  2. David Holden
  3. pp. 125-126
  4. DOI: https://doi.org/10.1353/mdr.1971.0038
  5. restricted access
  1. The Contributors
  3. p. iii
  4. DOI: https://doi.org/10.1353/mdr.1971.0016
  5. restricted access