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In this Issue

Table of Contents

  1. Notice of Errata
  3. p. 1
  4. DOI: https://doi.org/10.1353/mdr.2012.0050
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Articles

  1. Introduction
  2. Matthew Buckley
  3. pp. 429-436
  4. DOI: https://doi.org/10.1353/mdr.2012.0053
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  1. Frankenstein and the Mute Figure of Melodrama
  2. Emma Raub
  3. pp. 437-458
  4. DOI: https://doi.org/10.1353/mdr.2012.0056
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  1. Melodramatic Slaves
  2. Dana Van Kooy, Jeffrey N. Cox
  3. pp. 459-475
  4. DOI: https://doi.org/10.1353/mdr.2012.0066
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  1. Redressing the Black Crook: The Dancing Tableau of Melodrama
  2. Bradley Rogers
  3. pp. 476-496
  4. DOI: https://doi.org/10.1353/mdr.2012.0059
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  1. Victorian Railway Accident and the Melodramatic Imagination
  2. Matthew Wilson Smith
  3. pp. 497-522
  4. DOI: https://doi.org/10.1353/mdr.2012.0062
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  1. Mega-Melodrama! Vertical and Horizontal Suspensions of the “Classical”
  2. Linda Williams
  3. pp. 523-543
  4. DOI: https://doi.org/10.1353/mdr.2012.0064
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  1. Melodrama, Modernity and the Brazilian Television Mini-Series
  2. Niall Brennan
  3. pp. 544-565
  4. DOI: https://doi.org/10.1353/mdr.2012.0049
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Reviews

  1. Racial Innocence: Performing American Childhood from Slavery to Civil Rights (review)
  2. Kathryn Bond Stockton
  3. pp. 566-569
  4. DOI: https://doi.org/10.1353/mdr.2012.0052
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  1. Cruelty and Desire in the Modern Theater: Antonin Artaud, Sarah Kane, and Samuel Beckett (review)
  2. Sung Hee Choi
  3. pp. 569-571
  4. DOI: https://doi.org/10.1353/mdr.2012.0055
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  1. Salome’s Modernity: Oscar Wilde and the Aesthetics of Transgression (review)
  2. John Paul Riquelme
  3. pp. 571-573
  4. DOI: https://doi.org/10.1353/mdr.2012.0058
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  1. Mabou Mines: Making Avant-Garde Theater in the 1970s (review)
  2. Amy S. Green
  3. pp. 573-576
  4. DOI: https://doi.org/10.1353/mdr.2012.0061
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  1. Transfigured Stages: Major Practitioners and Theatre Aesthetics in Australia (review)
  2. Aoise Stratford
  3. pp. 576-579
  4. DOI: https://doi.org/10.1353/mdr.2012.0063
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  1. American Poetry in Performance: From Walt Whitman to Hip Hop (review)
  2. Christopher Grobe
  3. pp. 579-581
  4. DOI: https://doi.org/10.1353/mdr.2012.0065
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  1. Great Lengths: Seven Works of Marathon Theater (review)
  2. John H. Muse
  3. pp. 581-584
  4. DOI: https://doi.org/10.1353/mdr.2012.0051
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  1. Berlinische Dramaturgie: Gespraechsprotokolle der von Peter Hacks geleiteten Akademiearbeitsgruppen (review)
  2. Antje Budde
  3. pp. 584-586
  4. DOI: https://doi.org/10.1353/mdr.2012.0054
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  1. Contributors
  3. pp. 587-588
  4. DOI: https://doi.org/10.1353/mdr.2012.0057
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  1. Index to Volume 55, 2012
  3. pp. 589-592
  4. DOI: https://doi.org/10.1353/mdr.2012.0060
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