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In this Issue

Table of Contents

  1. Jewish Performance in Canada
  2. Belarie Zatzman, Laura Levin
  3. pp. 3-7
  4. DOI: https://doi.org/10.1353/ctr.2013.0002
  5. restricted access
  1. Between Biblical Tradition and Contemporary Audiences: Jewish Theatre Practice in Toronto
  2. Joel Benabu, Barry Freeman
  3. pp. 8-12
  4. DOI: https://doi.org/10.1353/ctr.2013.0005
  5. restricted access
  1. In the Mosaic: Jewish Identities in Canadian Performance and Installation Art
  2. Carol Zemel
  3. pp. 13-19
  4. DOI: https://doi.org/10.1353/ctr.2013.0008
  5. restricted access
  1. The YICHUD Room: Performing Jewish Spaces
  2. Shira Schwartz, Julie Tepperman, Aaron Willis
  3. pp. 20-24
  4. DOI: https://doi.org/10.1353/ctr.2013.0011
  5. restricted access
  1. My Life in Jewish Theatre: A Coming-Out Story
  2. Kayla Gordon
  3. pp. 25-28
  4. DOI: https://doi.org/10.1353/ctr.2013.0014
  5. restricted access
  1. Jewish Theatre in Vancouver Has Chutzpah!
  2. Amanda Lockitch
  3. pp. 29-33
  4. DOI: https://doi.org/10.1353/ctr.2013.0017
  5. restricted access
  1. Yiddish Theatre beyond Montreal: Die Folkshpieler in Ottawa
  2. Rebecca Margolis
  3. pp. 34-38
  4. DOI: https://doi.org/10.1353/ctr.2013.0004
  5. restricted access
  1. Becoming Archive ribcage: this wide passage
  2. Heather Hermant
  3. pp. 39-43
  4. DOI: https://doi.org/10.1353/ctr.2013.0007
  5. restricted access
  1. What Comes First, Being a Playwright or Being a Jew?: Snapshots of Seven Canadian Writers
  2. Lynn Slotkin
  3. pp. 44-49
  4. DOI: https://doi.org/10.1353/ctr.2013.0010
  5. restricted access
  1. Studio 180's Political Engagements: Finding the Jewish Soul in Canadian Theatre
  2. Laura Levin, Belarie Zatzman, Joel Greenberg
  3. pp. 50-55
  4. DOI: https://doi.org/10.1353/ctr.2013.0013
  5. restricted access
  1. Corpus
  2. Darrah Teitel
  3. pp. 56-93
  4. DOI: https://doi.org/10.1353/ctr.2013.0016
  5. restricted access
  1. Editorial
  2. Natalie Alvarez
  3. pp. 94-95
  4. DOI: https://doi.org/10.1353/ctr.2013.0000
  5. restricted access
  1. Committing Theatre: Theatre Radicalism and Political Intervention in Canada (review)
  2. Sonja Kuftinec
  3. pp. 95-97
  4. DOI: https://doi.org/10.1353/ctr.2013.0003
  5. restricted access
  1. A Tyranny of Documents: The Performing Arts Historian as Film Noir Detective. Essays Dedicated to Brooks McNamara (review)
  2. Roberta Barker
  3. pp. 98-99
  4. DOI: https://doi.org/10.1353/ctr.2013.0006
  5. restricted access
  1. The Steps to First Dance
  2. Lisa O'Connell
  3. pp. 99-102
  4. DOI: https://doi.org/10.1353/ctr.2013.0009
  5. restricted access
  1. The Pleasure of Being In On It: Foreign Perspectives and "In-Authenticity" in The Golden Dragon at the Tarragon Theatre
  2. Birgit Schreyer Duarte
  3. pp. 102-104
  4. DOI: https://doi.org/10.1353/ctr.2013.0012
  5. restricted access
  1. Enron, Playing in "Little Houston of the North"
  2. Nicole Edge
  3. pp. 104-107
  4. DOI: https://doi.org/10.1353/ctr.2013.0015
  5. restricted access
  1. Peering into The Dora Wasserman Yiddish Theatre Archives: A Photo Journal
  2. Melanie Bennett, Belarie Zatzman
  3. pp. 1a-18a
  4. DOI: https://doi.org/10.1353/ctr.2013.0019
  5. restricted access
  1. Introduction
  2. Sara Horowitz
  3. pp. 57-58
  4. DOI: https://doi.org/10.1353/ctr.2013.0018
  5. restricted access