1. The Feminizing of the Trojan Horse: Marie Chauvet's Amour as War Machine
  2. Laurie K. Lavine
  3. pp. 9-18
  4. DOI: 10.1353/wfs.1994.0014
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  1. Of Pigs and Princesses: Corporeal Currency in the 'Meat' Market Themes of Consumption in 'Les Trois Petits Cochons'
  2. Susan Kevra
  3. pp. 32-41
  4. DOI: 10.1353/wfs.1994.0003
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  1. Rape or Obscene Copulation?: Ambivalence and Complicity in Djebar's L'Amour, la fantasia
  2. Andrea Page
  3. pp. 42-54
  4. DOI: 10.1353/wfs.1994.0005
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  1. Assia Djebar et l'écriture de l'autobiographie au pluriel
  2. Katherine Gracki
  3. pp. 55-66
  4. DOI: 10.1353/wfs.1994.0007
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  1. Colette and Autobiography: The Film Version
  2. Lezlie Hart Stivale
  3. pp. 67-77
  4. DOI: 10.1353/wfs.1994.0010
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  1. Past, Present and Passion Tense in Annie Ernaux's Passion simple
  2. Claire Marrone
  3. pp. 78-87
  4. DOI: 10.1353/wfs.1994.0013
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  1. The Historian and the Personal: Arlette Farge's Le Goût de l'archive
  2. Philippe Carrard
  3. pp. 88-101
  4. DOI: 10.1353/wfs.1994.0000
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  1. Nathalie Sarraute Aesthetics and Asthenics
  2. Mark Lee
  3. pp. 102-110
  4. DOI: 10.1353/wfs.1994.0002
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  1. The Pen/is Mightier Speech and Writing in Representations of Préciosité
  2. Jennifer Monahan
  3. pp. 111-124
  4. DOI: 10.1353/wfs.1994.0004
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  1. Feminine Space in the "H/histoires" of Madame De Villedieu
  2. Nancy D. Klein
  3. pp. 125-134
  4. DOI: 10.1353/wfs.1994.0006
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  1. Représentations de la femme dans la famille et au travail en France
  2. Kathryn A. Murphy-Judy
  3. pp. 135-159
  4. DOI: 10.1353/wfs.1994.0009
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  1. La course d'obstacles: les Françaises en politique
  2. Colette T. Hall
  3. pp. 160-169
  4. DOI: 10.1353/wfs.1994.0012
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  1. Foreword
  2. Colette T. Hall
  3. pp. 1-2
  4. DOI: 10.1353/wfs.1994.0008
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  1. Introduction
  2. Colette T. Hall
  3. pp. 3-8
  4. DOI: 10.1353/wfs.1994.0011
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  1. Notes on Contributors
  2. pp. 170-171
  3. DOI: 10.1353/wfs.1994.0015
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