In this Issue

Table of Contents

Beckett, Minimalism, and the Question of Postmodernism

Duncan McColl Chesney
pp. 637-655
DOI: https://doi.org/10.1353/mod.2012.0091
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Fireworks and Other Profane Illuminations: Color and the Experience of Wonder in Modern Visual Culture

Laura Anne Kalba
pp. 657-676
DOI: https://doi.org/10.1353/mod.2012.0095
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When Marco Leaves the Building: Intercultural Performances and Other Audiences

Ju Yon Kim
pp. 677-691
DOI: https://doi.org/10.1353/mod.2012.0099
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Literary Memory and the Moment of Modern Music

Aaron Yale Heisler
pp. 693-715
DOI: https://doi.org/10.1353/mod.2012.0077
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Tin Pan Allegory

Keir Keightley
pp. 717-736
DOI: https://doi.org/10.1353/mod.2012.0081
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The Case of William Seabrook: Documents, Haiti, and the Working Dead

Susan Zieger
pp. 737-754
DOI: https://doi.org/10.1353/mod.2012.0085
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Finding Haiti, Finding History in Zora Neale Hurston’s Their Eyes Were Watching God

Patricia Stuelke
pp. 755-774
DOI: https://doi.org/10.1353/mod.2012.0089
open access

On Some Seminal Motifs in Walter Benjamin: Seed, Sperm, Modernity, and Gender

Tim Beasley-Murray
pp. 775-791
DOI: https://doi.org/10.1353/mod.2012.0093
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Modern Utopias, Major and Minor

Patrick Parrinder
pp. 793-798
DOI: https://doi.org/10.1353/mod.2012.0097
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The Saddest Tory

John Attridge
pp. 799-803
DOI: https://doi.org/10.1353/mod.2012.0101
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The Weather in Proust (review)

Joseph Litvak
pp. 805-807
DOI: https://doi.org/10.1353/mod.2012.0079
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1895: Drama, Disaster and Disgrace in Late Victorian Britain (review)

Deaglán Ó Donghaile
pp. 807-809
DOI: https://doi.org/10.1353/mod.2012.0083
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Ravel the Decadent: Memory, Sublimation and Desire (review)

Edward Campbell
pp. 809-810
DOI: https://doi.org/10.1353/mod.2012.0087
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Modernist Nowheres: Politics and Utopia in Early Modernist Writing, 1900–1920 (review)

Christos Hadjiyiannis
pp. 811-813
DOI: https://doi.org/10.1353/mod.2012.0092
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The Time Ship: A Chrononautical Journey (review)

Kevin Riordan
pp. 813-814
DOI: https://doi.org/10.1353/mod.2012.0096
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Architecture and Modern Literature (review)

Sarah Edwards
pp. 815-816
DOI: https://doi.org/10.1353/mod.2012.0100
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In the Hollow of the Wave: Virginia Woolf and Modernist Uses of Nature (review)

Alison Lacivita
pp. 817-818
DOI: https://doi.org/10.1353/mod.2012.0078
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Virginia Woolf’s Essayism (review)

Ned Stuckey-French
pp. 818-820
DOI: https://doi.org/10.1353/mod.2012.0082
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Women Modernists and Fascism (review)

Erin G.Carlston
pp. 820-822
DOI: https://doi.org/10.1353/mod.2012.0086
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Leslie Howard: The Lost Actor (review)

Phyllis Lassner
pp. 822-823
DOI: https://doi.org/10.1353/mod.2012.0090
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Sexuality in Europe: A Twentieth-Century History (review)

Richard Cleminson
pp. 824-825
DOI: https://doi.org/10.1353/mod.2012.0094
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How a Revolutionary Art Became Official Culture: Murals, Museums and the Mexican State (review)

Julia Banwell
pp. 825-827
DOI: https://doi.org/10.1353/mod.2012.0098
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Modernism and Race (review)

Patricia E. Chu
pp. 827-829
DOI: https://doi.org/10.1353/mod.2012.0076
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Modernism and Nihilism (review)

Diane Morgan
pp. 829-831
DOI: https://doi.org/10.1353/mod.2012.0080
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Theory after “Theory.” (review)

Nicholas Birns
pp. 831-833
DOI: https://doi.org/10.1353/mod.2012.0084
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Recent Books of Interest

pp. 835-837
DOI: https://doi.org/10.1353/mod.2012.0088
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