+ MUSE Alert

In this Issue

Table of Contents

  1. Editorial Comment: Queer Research in Performance
  2. Penny Farfan
  3. pp. 1-3
  4. restricted access
  1. Riding, Scarring, Knowing: A Queerly Embodied Performance Historiography
  2. Kim Marra
  3. pp. 489-511
  4. DOI: https://doi.org/10.1353/tj.2012.a494442
  5. restricted access
  1. Queens “Campin’” Onstage: Performing Queerness in Mae West’s “Gay Plays”
  2. Ariel Nereson
  3. pp. 513-532
  4. DOI: https://doi.org/10.1353/tj.2012.a494443
  5. restricted access
  1. “You’ve got that thing”: Cole Porter, Stephen Sondheim, and the Erotics of the List Song
  2. David Savran
  3. pp. 533-548
  4. DOI: https://doi.org/10.1353/tj.2012.a494444
  5. restricted access
  1. The Ridiculous Performance of Taylor Mac
  2. Sean F. Edgecomb
  3. pp. 549-563
  4. DOI: https://doi.org/10.1353/tj.2012.a494445
  5. restricted access
  1. Queer Ecology / Contemporary Plays
  2. Wendy Arons
  3. pp. 565-582
  4. DOI: https://doi.org/10.1353/tj.2012.a494446
  5. restricted access
  1. Broke House (review)
  2. Jennifer Parker-Starbuck
  3. pp. 583-585
  4. restricted access
  1. Tales of the City: A New Musical, and: The Normal Heart (review)
  2. David Román
  3. pp. 585-588
  4. DOI: https://doi.org/10.1353/tj.2012.a494449
  5. restricted access
  1. How I Learned to Drive (review)
  2. Theresa Smalec
  3. pp. 589-590
  4. restricted access
  1. Untitled Feminist Show (review)
  2. Kee-Yoon Nahm
  3. pp. 590-592
  4. DOI: https://doi.org/10.1353/tj.2012.a494451
  5. restricted access
  1. Sontag: Reborn, and: You, My Mother (review)
  2. Jessica Del Vecchio
  3. pp. 592-595
  4. DOI: https://doi.org/10.1353/tj.2012.a494452
  5. restricted access
  1. Digital: A Love Story; Bully; Grand Theft Auto IV; Portal; Dys4ia (review)
  2. Linzi Juliano
  3. pp. 595-598
  4. DOI: https://doi.org/10.1353/tj.2012.a494453
  5. restricted access
  1. Lay of the Land (review)
  2. Darren Patrick Blaney
  3. pp. 598-601
  4. restricted access
  1. Edward II (review)
  2. Johan Callens
  3. pp. 601-603
  4. DOI: https://doi.org/10.1353/tj.2012.a494455
  5. restricted access
  1. Burning Bluebeard (review)
  2. Joshua Takano Chambers-Letson
  3. pp. 603-605
  4. DOI: https://doi.org/10.1353/tj.2012.a494456
  5. restricted access
  1. LGBTQ: An Alphabet of Interested Writing
  2. Sue-Ellen Case
  3. pp. 607-616
  4. DOI: https://doi.org/10.1353/tj.2012.a494457
  5. restricted access
  1. The Drama of Marriage: Gay Playwrights/Straight Unions from Oscar Wilde to the Present (review)
  2. Benjamin Kahan
  3. pp. 617-618
  4. DOI: https://doi.org/10.1353/tj.2012.a494458
  5. restricted access
  1. Uncloseting Drama: American Modernism and Queer Performance (review)
  2. José Esteban Muñoz
  3. pp. 618-619
  4. DOI: https://doi.org/10.1353/tj.2012.a494459
  5. restricted access
  1. Bulldaggers, Pansies, and Chocolate Babies: Performance, Race, and Sexuality in the Harlem Renaissance (review)
  2. Isaiah Matthew Wooden
  3. pp. 619-620
  4. DOI: https://doi.org/10.1353/tj.2012.a494460
  5. restricted access
  1. Feminist Visions and Queer Futures in Postcolonial Drama: Community, Kinship, and Citizenship (review)
  2. Ketu H. Katrak
  3. pp. 620-622
  4. DOI: https://doi.org/10.1353/tj.2012.a494461
  5. restricted access
  1. Lady Dicks and Lesbian Brothers: Staging the Unimaginable at the Wow Café Theatre (review)
  2. Dirk Gindt
  3. pp. 622-623
  4. DOI: https://doi.org/10.1353/tj.2012.a494462
  5. restricted access
  1. Charles Ludlam and the Ridiculous Theatrical Company: Critical Analyses of 29 Plays (review)
  2. Kelly Aliano
  3. pp. 623-625
  4. DOI: https://doi.org/10.1353/tj.2012.a494463
  5. restricted access
  1. Queer Theatre and the Legacy of Cal Yeomans (review)
  2. Francisco Costa
  3. pp. 625-626
  4. DOI: https://doi.org/10.1353/tj.2012.a494464
  5. restricted access
  1. Wendy and the Lost Boys: The Uncommon Life of Wendy Wasserstein, and: Reading the Plays of Wendy Wasserstein (review)
  2. John M. Clum
  3. pp. 626-627
  4. DOI: https://doi.org/10.1353/tj.2012.a494465
  5. restricted access
  1. Look, I Made a Hat: Collected Lyrics (1981–2011) with Attendant Comments, Amplifications, Dogmas, Harangues, Digressions, Anecdotes and Miscellany (review)
  2. Joel Fishbane
  3. pp. 627-629
  4. DOI: https://doi.org/10.1353/tj.2012.a494466
  5. restricted access
  1. Irving Berlin’s American Musical Theater, and: The Irving Berlin Reader (review)
  2. Todd Decker
  3. pp. 629-631
  4. DOI: https://doi.org/10.1353/tj.2012.a494467
  5. restricted access
  1. Sarah Kane in Context (review)
  2. Ryan Claycomb
  3. pp. 631-632
  4. DOI: https://doi.org/10.1353/tj.2012.a494468
  5. restricted access
  1. Performing Bodies in Pain: Medieval and Post-Modern Martyrs, Mystics, and Artists (review)
  2. Thomas A. Oldham
  3. pp. 632-633
  4. DOI: https://doi.org/10.1353/tj.2012.a494469
  5. restricted access
  1. Index to Volume 64
  3. pp. 639-644
  4. DOI: https://doi.org/10.1353/tj.2012.a494447
  5. restricted access