1. A Simultaneous Gesture of Proximity and Distance: W.G. Sebald’s Empathic Narrative Persona
  2. Lewis Ward
  3. pp. 1-16
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  1. Narrativizing Characters in Mrs. Dalloway
  2. Annalee Edmondson
  3. pp. 17-36
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  1. Trying It On: Narration and Masking in The Age of Innocence
  2. Margaret Jay Jessee
  3. pp. 37-52
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  1. Between Sensation and Sign: The Secret Language of The Waves
  2. Maureen Chun
  3. pp. 53-70
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  1. The Early Life of Septimus Smith
  2. Kathryn Van Wert
  3. pp. 71-89
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  1. J. M. Coetzee’s Foe and the embodiment of meaning
  2. Marco Caracciolo
  3. pp. 90-103
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  1. Keeping the Reader in the House: American Minimalism, Literary Impressionism, and Raymond Carver’s “Cathedral”
  2. Robert C. Clark
  3. pp. 104-118
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  1. “Living in two tenses”: The Intimate Archives of Sylvia Townsend Warner
  2. Melanie Micir
  3. pp. 119-131
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  1. The Russian Soul Englished
  2. Catherine Brown
  3. pp. 132-149
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  1. Virginia Woolf and British Russophilia
  2. Michael Lackey
  3. pp. 150-152
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  1. Dismantling the Modernist Myth: Samuel Beckett and Virginia Woolf in the Literary Marketplace
  2. Alison Howard
  3. pp. 153-162
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  1. A constellation of modernist historiography: Woolf with Benjamin
  2. Jean-Michel Rabaté
  3. pp. 163-165
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  1. Without Right
  2. Zakir Paul
  3. pp. 166-173
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  1. Theatre’s New Threshold: A Review of Reassessing the Theatre of the Absurd: Camus, Beckett, Ionesco, Genet and Pinter
  2. Gina Masucci MacKenzie
  3. pp. 174-176
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  1. Weaving the Web of Globality
  2. Ana Sobral
  3. pp. 177-184
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  1. Desiring Machines: A Review of Beautiful Circuits: Modernism and the Mediated Life by Mark Goble
  2. Andrew Gaedtke
  3. pp. 185-190
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  1. High Modernism, Lowly Desires: A Review of Sara Crangle’s Prosaic Desires: Modernist Knowledge, Boredom, Laughter, and Anticipation.
  2. Laura Finch
  3. pp. 191-195
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  1. Literature and Its Dissolving Borders: Word and World
  2. Paula Marantz Cohen
  3. pp. v-vi
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  1. Notes on Contributors
  2. pp. 196-198
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