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Table of Contents

  1. From the Editor
  2. Ricardo D. Trimillos
  3. pp. 1-2
  4. DOI: https://doi.org/10.1353/amu.2013.0008
  5. restricted access
  1. Let Morning Shine over Pyongyang: The Future-Oriented Nationalism of North Korea's Arirang Mass Games
  2. Lisa Burnett
  3. pp. 3-32
  4. DOI: https://doi.org/10.1353/amu.2013.0010
  5. restricted access
  1. What's in a Word?: Classifications and Conundrums in Japanese Folk Performing Arts
  2. Terence Lancashire
  3. pp. 33-70
  4. DOI: https://doi.org/10.1353/amu.2013.0001
  5. restricted access
  1. Tonight You Will Hear the Wedding of God: Heteroglossia and Polythematicism in the Performance of a Rājasthani Kathā
  2. John Napier
  3. pp. 71-112
  4. DOI: https://doi.org/10.1353/amu.2013.0003
  5. restricted access
  1. The Tibetan gCod Ḍamaru—A Reprise: Symbolism, Function, and Difference in a Tibetan Adept's Interpretive Community
  2. Jeffrey W. Cupchik
  3. pp. 113-139
  4. DOI: https://doi.org/10.1353/amu.2013.0005
  5. restricted access
  1. Music and Cultural Rights (review)
  2. Rachel Tollett
  3. pp. 140-143
  4. DOI: https://doi.org/10.1353/amu.2013.0006
  5. restricted access
  1. Cambodian Dance: Celebration of the Gods (review)
  2. Stéphanie Khoury
  3. pp. 144-146
  4. DOI: https://doi.org/10.1353/amu.2013.0007
  5. restricted access
  1. Musical Renderings of the Philippine Nation (review)
  2. Theodore S. Gonzalves
  3. pp. 146-151
  4. DOI: https://doi.org/10.1353/amu.2013.0009
  5. restricted access
  1. Colonial Counterpoint: Music in Early Modern Manila (review)
  2. Raul C. Navarro
  3. pp. 151-154
  4. DOI: https://doi.org/10.1353/amu.2013.0000
  5. restricted access
  1. Angry Drummers: A Taiko Group from Naniwa, Osaka, Japan (review)
  2. Deborah Wong
  3. pp. 155-158
  4. DOI: https://doi.org/10.1353/amu.2013.0002
  5. restricted access
  1. About the Contributors
  3. pp. 159-160
  4. DOI: https://doi.org/10.1353/amu.2013.0004
  5. restricted access