In this Issue

Table of Contents

What Is the Challenge of Art/Science Today and How Do We Address It?

Jack Ox, Richard Lowenberg
p. 2
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Hybrid Reassemblage: An Exploration of Craft, Digital Fabrication and Artifact Uniqueness

Amit Zoran, Leah Buechley
pp. 4-10
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Unraveling Life’s Building Blocks: Sculpture Inspired by Proteins

Julian Voss-Andreae
pp. 12-17
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The Veiled Christ of Cappella Sansevero: On Art, Vision and Reality

Thomas D. Albright
pp. 19-23
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Protein Kolam: An Artistic Rendition of Molecular Structure Data

S. Balaji, S. Neela
pp. 24-29
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Mobiles, Molecules and the Coalescence of Processes

Stephen H. Kawai
pp. 30-35
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Color Plates

pp. 37-43
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Nature’s Toolbox: Biodiversity, Art and Invention

Randy Jayne Rosenberg
pp. 44-46
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Nature’s Toolbox Gallery

E.V. Day, Chris Drury, Anthony Discenza, Rob Carter, Sven Pahlsson, Cao Fei, Suzanne Anker, Christian Kerrigan, Charles Lee
pp. 47-52
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Some Video Abstraction Techniques for Displaying Body Movement in Analysis and Performance

Alexander Refsum Jensenius
pp. 53-60
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Dynamic Sites: Learning to Design in Techno-Social Landscapes

Dermott McMeel, Chris Speed
pp. 61-66
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Early Visions of Interactivity: The In(put)s and Out(put)s of Real-Time Computing

Andrew Utterson
pp. 67-72
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Ten Trenches: A Science-Art Collaboration

T.J. Cohen, S.J.K Kermode, Mike Leggett
pp. 74-75
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Finding Futures: A Spatio-Visual Experiment In Participatory Engagement

Sarah R Davies, Cynthia Selin, Gretchen Gano, Ângela Guimarães Pereira
pp. 76-77
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Collaboration and Coordination in the Creation of New Music

Michael Hooper
pp. 78-79
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Readymade and Assemblage in Database Art

Wun-Ting Hsu, Wen-Shu Lai
pp. 80-81
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From Gesture to Form: The Evolution of Expressive Freehand Spatial Interfaces

Daniel F. Keefe
pp. 82-83
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Cloud Chamber: A Performance with Real Time Two-Way Interaction Between Subatomic Particles and Violinist

Alexis Kirke, Eduardo Miranda, Antonino Chiaramonte, Anna R. Troisi, John Matthias, Nicholas Fry, Catherine McCabe, Jeff Radtke, Martyn Bull
pp. 84-85
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The Serendiptichord: Reflections on the Collaborative Design Process between Artist and Researcher

Tim Murray-Browne, Di Mainstone, Nick Bryan-Kinns, Mark D. Plumbley
pp. 86-87
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The Medium-Sensitive Experience and the Paradigmatic Experience of the Grotesque, “Unnatural” or “Monstrous”

A.M.A. van den Oever
pp. 88-89
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Invisible Navigation (or Impossible?)

Oguzhan Özcan, Mary Lou O’Neil
pp. 90-91
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The Idea Factory: Bell Labs and the Great Age of American Innovation (review)

Amy Ione
pp. 93-94
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The Right to Look: A Counterhistory of Visuality (review)

Jan Baetens
p. 95
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Trade of the Tricks: Inside the Magician’s Craft (review)

Brian Reffin Smith
pp. 95-96
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The Berkshire Glass works (review)

Giovanna L. Costantini
pp. 96-97
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Radio: Essays in Bad Reception (review)

John F. Barber
pp. 97-98
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Looking for Bruce Conner (review)

Allan Graubard
pp. 98-99
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Diane Arbus’s 1960s: Auguries of Experience (review)

Jan Baetens
pp. 99-100
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Remodeling Communication: From WWII to the WWW (review)

Jussi Parikka
pp. 100-101
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Pairing of Polarities: The Life and Art of Sonya Rapoport (review)

Amy Ione
pp. 101-102
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Are You Experienced? How Psychedelic Consciousness Transformed Modern Art (review)

Nicolas Langlitz
pp. 102-103
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3D Displays and Spatial Interaction, Vol. 1: From Perception to Technology (review)

George Shortess
pp. 103-104
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The Self-Made Map: Cartographic Writing in Early Modern France, and: The Face of the Earth: Natural Landscapes, Science and Culture (review)

Mike Leggett
pp. 104-105
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Leonardo Reviews On-Line

pp. 105-106
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Leonardo Network News

p. 107
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