+ MUSE Alert

In this Issue

Table of Contents

  1. Names of the Beasts: Tracking the Animot in Medieval Texts
  2. Carolynn Van Dyke
  3. pp. 1-51
  4. DOI: https://doi.org/10.1353/sac.2012.0006
  5. restricted access
  1. Calling: Langland, Gower, and Chaucer on Saint Paul
  2. Isabel Davis
  3. pp. 53-97
  4. DOI: https://doi.org/10.1353/sac.2012.0014
  5. restricted access
  1. Conduct Shameful and Unshameful in The Franklin’s Tale
  2. Wan-Chuan Kao
  3. pp. 99-139
  4. DOI: https://doi.org/10.1353/sac.2012.0022
  5. restricted access
  1. Selling Alys: Reading (with) the Wife of Bath
  2. Roger A. Ladd
  3. pp. 141-171
  4. DOI: https://doi.org/10.1353/sac.2012.0030
  5. restricted access
  1. Chaucer and the Oxford Renaissance of Anglo-Latin Rhetoric
  2. Martin Camargo
  3. pp. 173-207
  4. DOI: https://doi.org/10.1353/sac.2012.0037
  5. restricted access
  1. John Lydgate Reads The Clerk’s Tale
  2. Jonathan Stavsky
  3. pp. 209-246
  4. DOI: https://doi.org/10.1353/sac.2012.0044
  5. restricted access
  1. Desire Out of Order and Undo Your Door
  2. Nicola McDonald
  3. pp. 247-275
  4. DOI: https://doi.org/10.1353/sac.2012.0003
  5. restricted access
  1. The Animals That Therefore They Were: Some Chaucerian Animal/Human Relationships
  2. Lisa J. Kiser
  3. pp. 311-317
  4. DOI: https://doi.org/10.1353/sac.2012.0027
  5. restricted access
  1. Cat, Capon, and Pig in The Summoner’s Tale
  2. Susan Crane
  3. pp. 319-324
  4. DOI: https://doi.org/10.1353/sac.2012.0034
  5. restricted access
  1. “rather be used / than be eaten”?: Harry Bailly’s Animals and The Nun’s Priest’s Tale
  2. Gillian Rudd
  3. pp. 325-330
  4. DOI: https://doi.org/10.1353/sac.2012.0041
  5. restricted access
  1. The Animals of the Hunt and the Limits of Chaucer’s Sympathies
  2. David Scott-Macnab
  3. pp. 331-337
  4. DOI: https://doi.org/10.1353/sac.2012.0000
  5. restricted access
  1. “We stryve as dide the houndes for the boon”: Animals and Chaucer’s Romance Vision
  2. David Salter
  3. pp. 339-344
  4. DOI: https://doi.org/10.1353/sac.2012.0008
  5. restricted access
  1. Ridiculous Mourning: Dead Pets and Lost Humans
  2. Karl Steel
  3. pp. 345-349
  4. DOI: https://doi.org/10.1353/sac.2012.0016
  5. restricted access
  1. The Werewolf’s Indifference
  2. Jeffrey J. Cohen
  3. pp. 351-356
  4. DOI: https://doi.org/10.1353/sac.2012.0024
  5. restricted access
  1. Responses
  2. pp. 357-358
  3. DOI: https://doi.org/10.1353/sac.2012.0032
  4. restricted access
  1. Salvation and Sin: Augustine, Langland, and Fourteenth-Century Theology (review)
  2. Richard Newhauser
  3. pp. 359-361
  4. DOI: https://doi.org/10.1353/sac.2012.0039
  5. restricted access
  1. Feeling Persecuted: Christians, Jews and Images of Violence in the Middle Ages (review)
  2. Martin B. Shichtman
  3. pp. 362-365
  4. DOI: https://doi.org/10.1353/sac.2012.0046
  5. restricted access
  1. Filming the Middle Ages (review)
  2. Stephanie Trigg
  3. pp. 365-368
  4. DOI: https://doi.org/10.1353/sac.2012.0005
  5. restricted access
  1. Geoffrey Chaucer (review)
  2. Alcuin Blamires
  3. pp. 368-371
  4. DOI: https://doi.org/10.1353/sac.2012.0013
  5. restricted access
  1. Medieval Alliterative Poetry: Essays in Honour of Thorlac Turville-Petre (review)
  2. Lawrence Warner
  3. pp. 371-374
  4. DOI: https://doi.org/10.1353/sac.2012.0021
  5. restricted access
  1. The Call to Read: Reginald Pecock’s Books and Textual Communities (review)
  2. Sarah James
  3. pp. 374-377
  4. DOI: https://doi.org/10.1353/sac.2012.0029
  5. restricted access
  1. Twentieth-Century Chaucer Criticism: Reading Audiences (review)
  2. Carolyn P. Collette
  3. pp. 380-383
  4. DOI: https://doi.org/10.1353/sac.2012.0043
  5. restricted access
  1. Chaucer and Italian Textuality (review)
  2. Karla Taylor
  3. pp. 384-387
  4. DOI: https://doi.org/10.1353/sac.2012.0002
  5. restricted access
  1. Artisans and Narrative Craft in Late Medieval England (review)
  2. Jonathan Hsy
  3. pp. 387-390
  4. DOI: https://doi.org/10.1353/sac.2012.0010
  5. restricted access
  1. The Cambridge Companion to Allegory (review)
  2. Katharine Breen
  3. pp. 390-393
  4. DOI: https://doi.org/10.1353/sac.2012.0018
  5. restricted access
  1. The Claims of Poverty: Literature, Culture, and Ideology in Late Medieval England (review)
  2. Sarah A. Kelen
  3. pp. 393-396
  4. DOI: https://doi.org/10.1353/sac.2012.0026
  5. restricted access
  1. The Piers Plowman Electronic Archive (review)
  2. Stephen A. Barney
  3. pp. 396-401
  4. DOI: https://doi.org/10.1353/sac.2012.0033
  5. restricted access
  1. The Neighboring Text: Chaucer, Boccaccio, Henryson (review)
  2. Sarah Stanbury
  3. pp. 401-404
  4. DOI: https://doi.org/10.1353/sac.2012.0040
  5. restricted access
  1. Sacred and Profane in Chaucer and Late Medieval Literature: Essays in Honour of John V. Fleming (review)
  2. E. A. Jones
  3. pp. 404-406
  4. DOI: https://doi.org/10.1353/sac.2012.0047
  5. restricted access
  1. The Legacy of Apollo: Antiquity, Authority, and Chaucerian Poetics (review)
  2. Winthrop Wetherbee
  3. pp. 406-409
  4. DOI: https://doi.org/10.1353/sac.2012.0007
  5. restricted access
  1. Image, Text, and Religious Reform in Fifteenth-Century England (review)
  2. Marlene Villalobos Hennessy
  3. pp. 409-412
  4. DOI: https://doi.org/10.1353/sac.2012.0015
  5. restricted access
  1. Serious Play: Desire and Authority in the Poetry of Ovid, Chaucer, and Ariosto (review)
  2. Gregory Heyworth
  3. pp. 412-416
  4. DOI: https://doi.org/10.1353/sac.2012.0023
  5. restricted access
  1. Crafting Jewishness in Medieval England: Legally Absent, Virtually Present (review)
  2. Lawrence Besserman
  3. pp. 416-419
  4. DOI: https://doi.org/10.1353/sac.2012.0031
  5. restricted access
  1. Quoting Speech in Early English (review)
  2. Lucy Perry
  3. pp. 419-422
  4. DOI: https://doi.org/10.1353/sac.2012.0038
  5. restricted access
  1. John Mirk’s “Festial”: Edited from British Library MS Cotton Claudius A.II (review)
  2. Bella Millett
  3. pp. 423-426
  4. DOI: https://doi.org/10.1353/sac.2012.0045
  5. restricted access
  1. The York Mystery Plays: Performance in the City (review)
  2. John J. McGavin
  3. pp. 426-429
  4. DOI: https://doi.org/10.1353/sac.2012.0004
  5. restricted access
  1. Ethics and Enjoyment in Late Medieval Poetry: Love After Aristotle (review)
  2. Sarah Kay
  3. pp. 429-431
  4. DOI: https://doi.org/10.1353/sac.2012.0012
  5. restricted access
  1. Under the Hammer: Iconoclasm in the Anglo-American Tradition (review)
  2. Kathleen Davis
  3. pp. 431-435
  4. DOI: https://doi.org/10.1353/sac.2012.0020
  5. restricted access
  1. Imaginings of Time in Lydgate and Hoccleve’s Verse (review)
  2. Jenni Nuttall
  3. pp. 435-438
  4. DOI: https://doi.org/10.1353/sac.2012.0028
  5. restricted access
  1. Gender and Power in Medieval Exegesis (review)
  2. Jennifer L. Sisk
  3. pp. 438-441
  4. DOI: https://doi.org/10.1353/sac.2012.0035
  5. restricted access
  1. Strong Women: Life, Text, and Territory, 1347–1645 (review)
  2. Karma Lochrie
  3. pp. 441-444
  4. DOI: https://doi.org/10.1353/sac.2012.0042
  5. restricted access
  1. The Lost History of “Piers Plowman” (review)
  2. Traugott Lawler
  3. pp. 444-448
  4. DOI: https://doi.org/10.1353/sac.2012.0001
  5. restricted access
  1. An Annotated Chaucer Bibliography, 2010
  2. Mark Allen, Bege K. Bowers
  3. pp. 453-550
  4. DOI: https://doi.org/10.1353/sac.2012.0017
  5. restricted access
  1. Index
  2. pp. 551-556
  3. DOI: https://doi.org/10.1353/sac.2012.0025
  4. restricted access
  1. Penitential Discourse in Hoccleve’s Series
  2. Robyn Malo
  3. pp. 277-305
  4. DOI: https://doi.org/10.1353/sac.2012.0011
  5. restricted access
  1. Introduction
  2. Gillian Rudd
  3. pp. 309-310
  4. DOI: https://doi.org/10.1353/sac.2012.0019
  5. restricted access
  1. Books Received
  2. pp. 449-451
  3. DOI: https://doi.org/10.1353/sac.2012.0009
  4. restricted access

Previous Issue

Volume 33, 2011

Next Issue

Volume 35, 2013