In this Issue

Table of Contents

Mediamorphosis: Print Culture and Transatlantic/Transnational Public Sphere(s)

Editor's Introduction Mediamorphosis: Print Culture and Transatlantic/Transnational Public Sphere(s)

Ann Ardis
pp. v-vii
DOI: https://doi.org/10.1353/mod.2012.0067
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Censorship, Puffing, "Piracy," Reprinting: British Decadence and Transatlantic Re-Mediations of Walter Pater, 1893-1910

Laurel Brake
pp. 419-435
DOI: https://doi.org/10.1353/mod.2012.0071
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Recirculation and Feminist Black Internationalism in Jessie Fauset's "The Looking Glass" and Amy Jacques Garvey's "Our Women and What They Think"

Teresa Zackodnik
pp. 437-459
DOI: https://doi.org/10.1353/mod.2012.0075
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Complaints of Everyday Life: Feminist Periodical Culture and Correspondence Columns in The Woman Worker, Women Folk and The Freewoman

Barbara Green
pp. 461-485
DOI: https://doi.org/10.1353/mod.2012.0055
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Imperial/Modernist Forms in the Illustrated London News

Patrick Collier
pp. 487-514
DOI: https://doi.org/10.1353/mod.2012.0059
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Wood Engravings, the "Marvellous Spread of Illustrated Publications," and the History of Art

Amy M. Von Lintel
pp. 515-542
DOI: https://doi.org/10.1353/mod.2012.0062
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Olive Beaupré Miller's My Book House: From William Morris to Modernism Under One Roof

Rennie Mapp
pp. 543-567
DOI: https://doi.org/10.1353/mod.2012.0065
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Intermediality and the Problem of the Listener

Debra Rae Cohen
pp. 569-592
DOI: https://doi.org/10.1353/mod.2012.0069
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Review Essays

Switching the Yeats Gestalt

Michael Bogucki
pp. 593-599
DOI: https://doi.org/10.1353/mod.2012.0073
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Modern Spirit

Susanna W. Gold
pp. 601-605
DOI: https://doi.org/10.1353/mod.2012.0053
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Book Reviews

Disciplining Modernism (review)

Andrew Thacker
pp. 607-609
DOI: https://doi.org/10.1353/mod.2012.0057
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Pragmatic Modernism (review)

Timothy Wientzen
pp. 609-611
DOI: https://doi.org/10.1353/mod.2012.0061
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Exotic Spaces in German Modernism (review)

Robert Weninger
pp. 611-613
DOI: https://doi.org/10.1353/mod.2012.0064
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Scottish & International Modernisms: Relationships & Reconfigurations (review)

Nancy K. Gish
pp. 614-615
DOI: https://doi.org/10.1353/mod.2012.0068
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A History of the Modern British Ghost Story (review)

Stephen Ross
pp. 616-617
DOI: https://doi.org/10.1353/mod.2012.0072
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Modernism and the Museum: Asian, African and Pacific Art and the London Avant-Garde (review)

Patricia Laurence
pp. 617-619
DOI: https://doi.org/10.1353/mod.2012.0052
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Wyndham Lewis and the Cultures of Modernity (review)

Michael Nath
pp. 619-621
DOI: https://doi.org/10.1353/mod.2012.0056
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Salome's Modernity: Oscar Wilde and the Aesthetics of Transgression (review)

S. I. Salamensky
pp. 621-623
DOI: https://doi.org/10.1353/mod.2012.0060
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Sex, Violence, and the Avant-Garde: Anarchism in Interwar France (review)

Barnaby Haran
pp. 623-625
DOI: https://doi.org/10.1353/mod.2012.0063
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The Ethics of William Carlos Williams's Poetry (review)

Terence Diggory
pp. 625-626
DOI: https://doi.org/10.1353/mod.2012.0066
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"Confessional" Writing and the Twentieth-Century Literary Imagination (review)

Max Saunders
pp. 627-628
DOI: https://doi.org/10.1353/mod.2012.0070
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Carl Van Vechten and the Harlem Renaissance (review)

Kathleen Pfeiffer
pp. 629-630
DOI: https://doi.org/10.1353/mod.2012.0074
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The Radical Camera: New York's Photo League 1936-1951 (review)

Caroline Blinder
pp. 630-632
DOI: https://doi.org/10.1353/mod.2012.0054
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Recent Books of Interest

pp. 633-635
DOI: https://doi.org/10.1353/mod.2012.0058
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