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Mediamorphosis: Print Culture and Transatlantic/Transnational Public Sphere(s)

  1. Editor's Introduction Mediamorphosis: Print Culture and Transatlantic/Transnational Public Sphere(s)
  2. Ann Ardis
  3. pp. v-vii
  4. DOI: https://doi.org/10.1353/mod.2012.0067
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  1. Censorship, Puffing, "Piracy," Reprinting: British Decadence and Transatlantic Re-Mediations of Walter Pater, 1893-1910
  2. Laurel Brake
  3. pp. 419-435
  4. DOI: https://doi.org/10.1353/mod.2012.0071
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  1. Recirculation and Feminist Black Internationalism in Jessie Fauset's "The Looking Glass" and Amy Jacques Garvey's "Our Women and What They Think"
  2. Teresa Zackodnik
  3. pp. 437-459
  4. DOI: https://doi.org/10.1353/mod.2012.0075
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  1. Complaints of Everyday Life: Feminist Periodical Culture and Correspondence Columns in The Woman Worker, Women Folk and The Freewoman
  2. Barbara Green
  3. pp. 461-485
  4. DOI: https://doi.org/10.1353/mod.2012.0055
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  1. Imperial/Modernist Forms in the Illustrated London News
  2. Patrick Collier
  3. pp. 487-514
  4. DOI: https://doi.org/10.1353/mod.2012.0059
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  1. Wood Engravings, the "Marvellous Spread of Illustrated Publications," and the History of Art
  2. Amy M. Von Lintel
  3. pp. 515-542
  4. DOI: https://doi.org/10.1353/mod.2012.0062
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  1. Olive Beaupré Miller's My Book House: From William Morris to Modernism Under One Roof
  2. Rennie Mapp
  3. pp. 543-567
  4. DOI: https://doi.org/10.1353/mod.2012.0065
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  1. Intermediality and the Problem of the Listener
  2. Debra Rae Cohen
  3. pp. 569-592
  4. DOI: https://doi.org/10.1353/mod.2012.0069
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Review Essays

  1. Switching the Yeats Gestalt
  2. Michael Bogucki
  3. pp. 593-599
  4. DOI: https://doi.org/10.1353/mod.2012.0073
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  1. Modern Spirit
  2. Susanna W. Gold
  3. pp. 601-605
  4. DOI: https://doi.org/10.1353/mod.2012.0053
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Book Reviews

  1. Disciplining Modernism (review)
  2. Andrew Thacker
  3. pp. 607-609
  4. DOI: https://doi.org/10.1353/mod.2012.0057
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  1. Pragmatic Modernism (review)
  2. Timothy Wientzen
  3. pp. 609-611
  4. DOI: https://doi.org/10.1353/mod.2012.0061
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  1. Exotic Spaces in German Modernism (review)
  2. Robert Weninger
  3. pp. 611-613
  4. DOI: https://doi.org/10.1353/mod.2012.0064
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  1. Scottish & International Modernisms: Relationships & Reconfigurations (review)
  2. Nancy K. Gish
  3. pp. 614-615
  4. DOI: https://doi.org/10.1353/mod.2012.0068
  5. restricted access
  1. A History of the Modern British Ghost Story (review)
  2. Stephen Ross
  3. pp. 616-617
  4. DOI: https://doi.org/10.1353/mod.2012.0072
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  1. Modernism and the Museum: Asian, African and Pacific Art and the London Avant-Garde (review)
  2. Patricia Laurence
  3. pp. 617-619
  4. DOI: https://doi.org/10.1353/mod.2012.0052
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  1. Wyndham Lewis and the Cultures of Modernity (review)
  2. Michael Nath
  3. pp. 619-621
  4. DOI: https://doi.org/10.1353/mod.2012.0056
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  1. Salome's Modernity: Oscar Wilde and the Aesthetics of Transgression (review)
  2. S. I. Salamensky
  3. pp. 621-623
  4. DOI: https://doi.org/10.1353/mod.2012.0060
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  1. Sex, Violence, and the Avant-Garde: Anarchism in Interwar France (review)
  2. Barnaby Haran
  3. pp. 623-625
  4. DOI: https://doi.org/10.1353/mod.2012.0063
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  1. The Ethics of William Carlos Williams's Poetry (review)
  2. Terence Diggory
  3. pp. 625-626
  4. DOI: https://doi.org/10.1353/mod.2012.0066
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  1. "Confessional" Writing and the Twentieth-Century Literary Imagination (review)
  2. Max Saunders
  3. pp. 627-628
  4. DOI: https://doi.org/10.1353/mod.2012.0070
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  1. Carl Van Vechten and the Harlem Renaissance (review)
  2. Kathleen Pfeiffer
  3. pp. 629-630
  4. DOI: https://doi.org/10.1353/mod.2012.0074
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  1. The Radical Camera: New York's Photo League 1936-1951 (review)
  2. Caroline Blinder
  3. pp. 630-632
  4. DOI: https://doi.org/10.1353/mod.2012.0054
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  1. Recent Books of Interest
  3. pp. 633-635
  4. DOI: https://doi.org/10.1353/mod.2012.0058
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