1. Erratum
  2. DOI: 10.1353/mos.2012.0037
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  1. Introduction
  2. Dawne McCance
  3. pp. v-vi
  4. DOI: 10.1353/mos.2012.0039
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  1. Crossings: A Conversation with Alphonso Lingis
  2. Alphonso Lingis
  3. pp. 1-19
  4. DOI: 10.1353/mos.2012.0041
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  1. One's Own Voice
  2. Alphonso Lingis
  3. pp. 21-35
  4. DOI: 10.1353/mos.2012.0043
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  1. The Weight of Reality
  2. Alphonso Lingis
  3. pp. 37-49
  4. DOI: 10.1353/mos.2012.0045
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  1. John Dos Passos in the 1920s: The Development of a Modernist Style
  2. Donald Pizer
  3. pp. 51-67
  4. DOI: 10.1353/mos.2012.0047
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  1. A Fantasy of One's Own: Rooms in Hitchcock's Vertigo and Baudelaire's Prose Texts
  2. Vlad Dima
  3. pp. 69-84
  4. DOI: 10.1353/mos.2012.0049
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  1. Magritte's La clef de verre and Hammett's The Glass Key: An Interarts Dialogue
  2. Ben Stoltzfus
  3. pp. 85-102
  4. DOI: 10.1353/mos.2012.0038
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  1. Purloined Letters in Ian McEwan's Atonement
  2. Heta Pyrhönen
  3. pp. 103-118
  4. DOI: 10.1353/mos.2012.0040
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  1. Récits de voyageuses en Afrique du Sud et conquête du corps victorien
  2. Ludmila Ommundsen Pessoa
  3. pp. 119-135
  4. DOI: 10.1353/mos.2012.0042
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  1. Irreconcilable Differences: Voice, Trauma, and Melville's Moby-Dick
  2. Tara Robbins Fee
  3. pp. 137-153
  4. DOI: 10.1353/mos.2012.0044
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  1. Margaret Laurence: The Woman and the Masks
  2. Nora Foster Stovel
  3. pp. 155-174
  4. DOI: 10.1353/mos.2012.0046
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  1. Index
  2. pp. 175-179
  3. DOI: 10.1353/mos.2012.0048
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