1. “Is This Pay-TV to Be the End for Us?”: Film Exhibitors Confront Pay Television, 1968–76
  2. Deron Overpeck
  3. pp. 2-40
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  1. Jasper Rigole’s Quixotic Art Experiments with Home Movies and Archival Practices: The International Institute for the Conservation, Archiving, and Distribution of Other People’s Memories (IICADOM)
  2. Gerda Cammaer
  3. pp. 42-69
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  1. Pittsburgh (1959): “Equilibriums of Paradox” and the Bicentennial City of Tomorrow
  2. Sean P. Kilcoyne
  3. pp. 70-94
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  1. Round the World and Back Again: Mapping the Cultural and Historic Significance of the Adelaide Pearson Film Collection
  2. Kimberly Tarr
  3. pp. 96-120
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  1. Screening the Stage Irishman: Irish Masculinity in Early American Cinema, 1895–1907
  2. Peter Flynn
  3. pp. 122-147
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  1. Out of Print: The Changing Landscape of Print Accessibility for Repertory Programming
  2. May HaDuong
  3. pp. 148-161
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  1. Restoring The Spanish Dancer (1923)
  2. Rob Byrne
  3. pp. 161-169
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  1. Stardust Monuments: The Saving and Selling of Hollywood (review)
  2. Peter Decherney
  3. pp. 170-172
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  1. Saving Cinema: The Politics of Preservation (review)
  2. Jan-Christopher Horak
  3. pp. 172-174
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  1. The Phantom Carriage (1921) (review)
  2. Rob Byrne
  3. pp. 175-178
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  1. The Life and Times of Rosie the Riveter (review)
  2. Melissa Dollman
  3. pp. 178-181
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  1. Treasures 5: The West, 1898–1938 (review)
  2. Laura Horak
  3. pp. 181-186
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  1. Georges Méliès: First Wizard of Cinema (1896–1913), and: Georges Méliès Encore: New Discoveries (1896–1911) (review)
  2. Matthew Solomon
  3. pp. 187-192
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  1. Welcome Back: Association of Moving Image Archivists Annual Conference (review)
  2. Melissa Dollman
  3. pp. 193-198
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  1. Editors’ Foreword
  2. Marsha Orgeron, Devin Orgeron
  3. pp. vii-xi
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