1. Front Porch
  2. Harry L. Watson
  3. pp. 1-5
  4. DOI: 10.1353/scu.2003.0028
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  1. A Conspiracy of Dunces? Walker Percy's Humor and the Chance of a Last Laugh
  2. Bryan Albin Giemza
  3. pp. 6-27
  4. DOI: 10.1353/scu.2003.0022
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  1. Quoting, Merging, and Sampling the Dream: Martin Luther King and Vernon Johns
  2. Ralph Luker
  3. pp. 28-48
  4. DOI: 10.1353/scu.2003.0026
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  1. To the Land I Am Bound: A Journey Into Sacred Harp
  2. David L. Carlton
  3. pp. 49-66
  4. DOI: 10.1353/scu.2003.0019
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  1. Images of African Americans in Southern Painting, 1840-1940
  2. A. Everette James
  3. pp. 67-81
  4. DOI: 10.1353/scu.2003.0025
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  1. Dollar Bill
  2. Michael Chitwood
  3. pp. 82-83
  4. DOI: 10.1353/scu.2003.0020
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  1. Birds of a Feather
  2. John Shelton Reed
  3. pp. 84-90
  4. DOI: 10.1353/scu.2003.0027
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  1. The Fruits of Memory
  2. Amy E. Weldon
  3. pp. 91-97
  4. DOI: 10.1353/scu.2003.0029
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  1. The Last Days of Big Grassy Fork (review)
  2. Fred C. Hobson
  3. pp. 98-99
  4. DOI: 10.1353/scu.2003.0023
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  1. Still Fighting the Civil War: The American South and Southern History (review)
  2. David W. Blight
  3. pp. 100-102
  4. DOI: 10.1353/scu.2003.0018
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  1. Don't Get Above Your Raisin': Country Music and the Southern Working Class (review)
  2. Patrick Huber
  3. pp. 102-105
  4. DOI: 10.1353/scu.2003.0024
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  1. About the Contributors
  2. p. 106
  3. DOI: 10.1353/scu.2003.0021
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