1. The Double Vision of Euripides' Cyclops: An Ethnographic Odyssey on the Satyr Stage
  2. Carol Dougherty
  3. pp. 313-338
  4. DOI: 10.1353/cdr.1999.0014
  5. restricted access View Summary | Download |
  1. Dances with Brecht: Huang Zuolin and His Xieyi Theater
  2. Ronnie Bai
  3. pp. 339-264
  4. DOI: 10.1353/cdr.1999.0019
  5. restricted access View Summary | Download |
  1. From Fat Falstaff to Francophile Fop: Russian Nationalism in Catherine the Great's Merry Wives
  2. Lurana Donneis O'Malley
  3. pp. 365-389
  4. DOI: 10.1353/cdr.1999.0025
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  1. Fletcher's Satire of Caratach in Bonduca
  2. Ronald J. Boling
  3. pp. 390-406
  4. DOI: 10.1353/cdr.1999.0030
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  1. Sex, Gender, and Desire in the Plays of Christopher Marlowe by Sara Munson Deats (review)
  2. Sara Eaton
  3. pp. 415-417
  4. DOI: 10.1353/cdr.1999.0040
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  1. Tragedy's End: Closure and Innovation in Euripidean Drama by Francis M. Dunn (review)
  2. Laurel M. Bowman
  3. pp. 417-419
  4. DOI: 10.1353/cdr.1999.0012
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  1. Kaigai Koen Kotohajime [The Beginnings of Overseas Performance] by Yoshihiro Kurata (review)
  2. Yoko Chiba
  3. pp. 419-423
  4. DOI: 10.1353/cdr.1999.0017
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  1. Drama and Ideology in Modern Israel by Glenda Abramson (review)
  2. Shimon Levy
  3. pp. 424-427
  4. DOI: 10.1353/cdr.1999.0022
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  1. Approaching the Millennium: Essays on Angels in America ed. by Deborah R. Geis and Steven F. Kruger (review)
  2. Craig Rowe
  3. pp. 428-430
  4. DOI: 10.1353/cdr.1999.0028
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