1. From the Mast-Head
  2. John Bryant
  3. pp. 2-3
  4. restricted access
  1. "Too Much of a Cripple": Ahab, Dire Bodies, and the Language of Prosthesis in Moby-Dick
  2. David Mitchell
  3. pp. 5-22
  4. restricted access
  1. Pierre's Blackened Hand
  2. Robert S. Levine
  3. pp. 23-44
  4. restricted access
  1. "Travel": New Evidence on Melville's Third Lecture
  2. Steven Olsen-Smith
  3. pp. 45-55
  4. restricted access
  1. "William Kienbusch's Ahab: A 'Nonobjective' Aesthetic"
  2. Wyn Kelley
  3. pp. 57-70
  4. restricted access
  1. Melville's Hand: Studies in Manuscript and Interpretation
  2. p. 72
  3. restricted access
  1. From "Myth" to "Mystery": An Emendation of The Confidence-Man
  2. Jonathan A. Cook
  3. pp. 73-78
  4. restricted access
  1. The Craft of Faith: A Shakespearean Echo in Clarel
  2. James Duban
  3. pp. 79-82
  4. restricted access
  1. Complicating Vere: Melville's Practice of Revision in Billy Budd
  2. John Wenke
  3. pp. 83-88
  4. restricted access
  1. Forward
  2. Joyce Kennedy, Frederick Kennedy
  3. pp. 89-90
  4. restricted access
  1. Herman Melville and Samuel Hay Savage, 1847-1851
  2. Joyce Deveau Kennedy, Frederick J. Kennedy
  3. pp. 91-103
  4. restricted access
  1. Melville & his Circle: The Last Years (review)
  2. Dennis Berthold
  3. pp. 105-109
  4. restricted access
  1. Fathering the Nation: American Genealogies of Slavery and Freedom (review)
  2. Timothy Marr
  3. pp. 109-112
  4. restricted access