In this Issue
Comparative Drama is a scholarly journal devoted to studies international in spirit and interdisciplinary in scope. Essay submissions are invited from scholars in all areas of drama.
published by
Western Michigan Universityviewing issue
Volume 32, Number 4, Winter 1998-1999Table of Contents
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View Summary of Audience and Authority in the Modernist Theater of Federico Garcia Lorca by C. Christopher Soufas (review)
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Audience and Authority in the Modernist Theater of Federico Garcia Lorca by C. Christopher Soufas (review)
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View Summary of Drama and Resistance: Bodies, Goods, and Theatricality in Late Medieval England by Claire Sponsler (review)
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Drama and Resistance: Bodies, Goods, and Theatricality in Late Medieval England by Claire Sponsler (review)
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View Summary of The Unmasking of Drama: Contested Representation in Shakespeare's Tragedies by Jonathan Baldo (review)
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The Unmasking of Drama: Contested Representation in Shakespeare's Tragedies by Jonathan Baldo (review)
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View Summary of Self-Speaking in Medieval and Early Modern English Drama: Subjectivity, Discourse, and the Stage by Richard Hillman (review)
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Self-Speaking in Medieval and Early Modern English Drama: Subjectivity, Discourse, and the Stage by Richard Hillman (review)
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| ISSN | 1936-1637 |
|---|---|
| Print ISSN | 0010-4078 |
| Launched on MUSE | 2016-10-05 |
| Open Access | No |
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Copyright © Comparative Drama.



