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Table of Contents

  1. Garbled Martyrdom in Christopher Marlowe's The Massacre at Paris
  2. Kristen Elizabeth Poole
  3. pp. 1-25
  4. DOI: https://doi.org/10.1353/cdr.1998.0044
  5. restricted access
  1. Lyly's Endymion and Midas: The Catholic Question in England
  2. David Bevington
  3. pp. 26-46
  4. DOI: https://doi.org/10.1353/cdr.1998.0003
  5. restricted access
  1. Painted Women: Annunciation Motifs in Hamlet
  2. R. Chris Hassel Jr.
  3. pp. 47-84
  4. DOI: https://doi.org/10.1353/cdr.1998.0011
  5. restricted access
  1. Stage Devils in English Reformation Plays
  2. John D. Cox
  3. pp. 85-116
  4. DOI: https://doi.org/10.1353/cdr.1998.0019
  5. restricted access
  1. "The meanest man . . . shall be permitted freely to accuse": The Commoners in Woodstock
  2. Alzada J. Tipton
  3. pp. 117-145
  4. DOI: https://doi.org/10.1353/cdr.1998.0026
  5. restricted access
  1. Veritas filia Temporis: Apocalyptic Polemics in the Drama of the English Reformation
  2. Dawn Massey
  3. pp. 146-175
  4. DOI: https://doi.org/10.1353/cdr.1998.0033
  5. restricted access
  1. The Hybrid Reformations of Shakespeare's Second Henriad
  2. Maurice Hunt
  3. pp. 176-206
  4. DOI: https://doi.org/10.1353/cdr.1998.0041
  5. restricted access
  1. Introduction
  2. Grace Tiffany
  3. pp. v-ix
  4. DOI: https://doi.org/10.1353/cdr.1998.0036
  5. restricted access