1. On the Novelle and/as Ereignis
  2. John H. Smith
  3. pp. 417-439
  4. DOI: 10.1353/smr.2012.0027
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  1. Co-opting Classicism and Debating Cultural Identity on the German National Stage in Mannheim
  2. Daniel J. Kramer
  3. pp. 440-458
  4. DOI: 10.1353/smr.2012.0029
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  1. Jeremias Gotthelf's Business: Economic Didacticism and "Der Besenbinder von Rychiswyl"
  2. Gail Hart
  3. pp. 459-472
  4. DOI: 10.1353/smr.2012.0031
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  1. Inflicting Wounds and Leaving Scars: Marlene Streeruwitz's Morire in Levitate
  2. Britta Kallin
  3. pp. 473-489
  4. DOI: 10.1353/smr.2012.0033
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  1. Tristan (review)
  2. Shami Ghosh
  3. pp. 490-492
  4. DOI: 10.1353/smr.2012.0034
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  1. Vom Gesetz des Widerspruchs. Über Heinrich von Kleist (review)
  2. Kim Fordham
  3. pp. 492-493
  4. DOI: 10.1353/smr.2012.0035
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  1. Goethe's Faust. Theatre of Modernity (review)
  2. Christian Weber
  3. pp. 494-496
  4. DOI: 10.1353/smr.2012.0036
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  1. Büchner-Handbuch. Leben - Werk - Wirkung (review)
  2. Gerhard P. Knapp
  3. pp. 497-499
  4. DOI: 10.1353/smr.2012.0028
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  1. Screening War. Perspectives on German Suffering. Screen Cultures. German Film and the Visual (review)
  2. Stephan Jaeger
  3. pp. 499-501
  4. DOI: 10.1353/smr.2012.0030
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  1. H.C. Artmann's Structuralist Imagination: A Semiotic Study of His Aesthetic and Postmodernity (review)
  2. Peter Horn
  3. pp. 501-503
  4. DOI: 10.1353/smr.2012.0032
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