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In this Issue

Table of Contents

  1. The Quiet Rites and Riotous Hopes of a Graduate Student
  2. Heather Jessup
  3. pp. 3-7
  4. DOI: https://doi.org/10.1353/esc.2011.0036
  5. restricted access
  1. The Right to Pass: Unblocking the Passage from Student to Doctor
  2. Charn Jagpal
  3. pp. 8-12
  4. DOI: https://doi.org/10.1353/esc.2011.0039
  5. restricted access
  1. Schooled!
  2. Eric Savoy
  3. pp. 13-16
  4. DOI: https://doi.org/10.1353/esc.2011.0042
  5. restricted access
  1. Come Back to the Ranks Ag’in, Huck Honey!
  2. Jo-Ann Wallace
  3. pp. 17-20
  4. DOI: https://doi.org/10.1353/esc.2011.0045
  5. restricted access
  1. Passing Among
  2. Frank Davey
  3. pp. 21-23
  4. DOI: https://doi.org/10.1353/esc.2011.0048
  5. restricted access
  1. The Traumatic Realism of Christopher Marlowe’s The Massacre at Paris
  2. Mathew R. Martin
  3. pp. 25-39
  4. DOI: https://doi.org/10.1353/esc.2011.0051
  5. restricted access
  1. “My Poor Mistress”: Marital Cruelty in The History of Mary Prince
  2. Suzanne Rintoul
  3. pp. 41-60
  4. DOI: https://doi.org/10.1353/esc.2011.0034
  5. restricted access
  1. Zong!’s “Should we?”: Questioning the Ethical Representation of Trauma
  2. Veronica J. Austen
  3. pp. 61-81
  4. DOI: https://doi.org/10.1353/esc.2011.0038
  5. restricted access
  1. “Community, Identity, Stability”: The Scientific Society and the Future of Religion in Aldous Huxley’s Brave New World
  2. Brad Congdon
  3. pp. 83-105
  4. DOI: https://doi.org/10.1353/esc.2011.0041
  5. restricted access
  1. Heirs, Apparently: Nation-Building in Isabella Valancy Crawford’s Winona
  2. Dale Alexandra Tracy
  3. pp. 107-121
  4. DOI: https://doi.org/10.1353/esc.2011.0044
  5. restricted access
  1. When Mounties were Modern Kitsch: The Serial Seductions of Renfrew of the Mounted
  2. Candida Rifkind
  3. pp. 123-146
  4. DOI: https://doi.org/10.1353/esc.2011.0047
  5. restricted access
  1. HP Sauce and the Hate Literature of Pop Art: bill bissett in the House of Commons
  2. Ryan J. Cox
  3. pp. 147-161
  4. DOI: https://doi.org/10.1353/esc.2011.0050
  5. restricted access
  1. Verglas: Narrative Technique in Anne Carson’s “The Glass Essay”
  2. Ian Rae
  3. pp. 163-186
  4. DOI: https://doi.org/10.1353/esc.2011.0054
  5. restricted access
  1. Shakespeare and the Domestic: Geraldo U. de Sousa’s At Home in Shakespeare’s Tragedies and Frederic B. Tromly’s Fathers and Sons in Shakespeare: The Debt Never Promised
  2. Ronda Arab
  3. pp. 187-200
  4. DOI: https://doi.org/10.1353/esc.2011.0037
  5. restricted access
  1. The “New-Formed Leaves” of Juvenilia Press
  2. Natasha Duquette
  3. pp. 201-218
  4. DOI: https://doi.org/10.1353/esc.2011.0040
  5. restricted access
  1. “A Comic Epic-Poem in Prose”: A Half Century of Engaging Northrop Frye’s Canadian Criticism
  2. Adam Carter
  3. pp. 219-234
  4. DOI: https://doi.org/10.1353/esc.2011.0043
  5. restricted access
  1. The Neural Sublime: Cognitive Theories and Romantic Texts (review)
  2. Suzanne Bailey
  3. pp. 235-239
  4. DOI: https://doi.org/10.1353/esc.2011.0046
  5. restricted access
  1. Dreams of a Totalitarian Utopia: Literary Modernism and Politics (review)
  2. Daniel Chaskes
  3. pp. 239-243
  4. DOI: https://doi.org/10.1353/esc.2011.0049
  5. restricted access
  1. Making it Like a Man (review)
  2. Jason Laker
  3. pp. 244-246
  4. DOI: https://doi.org/10.1353/esc.2011.0052
  5. restricted access
  1. Eating Chinese: Culture on the Menu in Small Town Canada (review)
  2. Maria N. Ng
  3. pp. 247-249
  4. DOI: https://doi.org/10.1353/esc.2011.0035
  5. restricted access
  1. Introduction: Academic Rites of Passage
  2. Michael O’Driscoll
  3. pp. 1-2
  4. DOI: https://doi.org/10.1353/esc.2011.0053
  5. restricted access