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Table of Contents

  1. Introduction from the Editor
  3. p. 4
  4. DOI: https://doi.org/10.1353/flm.2012.a490431
  5. restricted access

Articles

  1. From Censors to Critics: Representing “the People”
  2. Stephen Weinberger
  3. pp. 5-22
  4. DOI: https://doi.org/10.1353/flm.2012.a490430
  5. restricted access
  1. Morals, Markets, and “Horror Pictures”: The Rise of Universal Pictures and the Hollywood Production Code
  2. Kyle Edwards
  3. pp. 23-37
  4. DOI: https://doi.org/10.1353/flm.2012.a490429
  5. restricted access
  1. Between Two Worlds: The Rains Came and Disaster
  2. Cameron McFarlane, Ann-Barbara Graff
  3. pp. 38-54
  4. DOI: https://doi.org/10.1353/flm.2012.a490428
  5. restricted access
  1. Jolly Old Sports: English Character, Comedy, and Cricket in The Lady Vanishes
  2. Gregory O. Smith
  3. pp. 55-70
  4. DOI: https://doi.org/10.1353/flm.2012.a490427
  5. restricted access

Book Reviews

  1. Ancient Rome at the Cinema: Story and Spectacle in Hollywood and Rome (review)
  2. Jon Solomon
  3. pp. 73-75
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  1. Zaprudered: The Kennedy Assassination Film in Visual Culture (review)
  2. Jerald Podair
  3. pp. 72-73
  4. restricted access
  1. Hollywood Westerns and American Myth: The Importance of Howard Hawks and John Ford for Political Philosopy (review)
  2. Paul Cohen
  3. pp. 75-77
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  1. The Best Years of Our Lives (review)
  2. Glen Melanson
  3. pp. 78-80
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  1. Destabilizing the Hollywood Musical: Music, Masculinity, and Mayhem (review)
  2. Kathryn Edney
  3. pp. 80-82
  4. restricted access
  1. Music Makes Me: Fred Astaire and Jazz (review)
  2. Jennifer R. Jenkins
  3. pp. 83-86
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  1. Danny Boyle: Interviews (review)
  2. Kevin M. Flanagan
  3. pp. 86-88
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  1. Moscow Prime Time: How the Soviet Union Built the Media Empire That Lost the Cultural Cold War (review)
  2. James H. Krukones
  3. pp. 88-90
  4. restricted access
  1. Neither God nor Master: Robert Bresson & Radical Politics (review)
  2. Judith Holland Sarnecki
  3. pp. 90-94
  4. restricted access
  1. Studying British Cinema 1999 – 2009 (review)
  2. David Lancaster
  3. pp. 94-96
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  1. Gender, Nationalism and War: Conflict on the Movie Screen (review)
  2. Michael Marino
  3. pp. 96-97
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Film Reviews

  1. El General (review)
  2. Julie Irene Prieto
  3. pp. 99-101
  4. restricted access
  1. United Red Army (review)
  2. Sarah Hamblin
  3. pp. 101-104
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  1. Living in Emergency (review)
  2. Phyllis D. Dannhauser
  3. pp. 105-107
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  1. Tomboy (review)
  2. Ricardo E. Zulueta
  3. pp. 107-110
  4. restricted access
  1. The James Dean Story (review)
  2. Justin Owen Rawlins
  3. pp. 110-113
  4. restricted access
  1. Neshoba: The Price of Freedom (review)
  2. Lokeilani Kaimana
  3. pp. 113-115
  4. restricted access
  1. Harvest of Loneliness/Cosecha Triste: The Bracero Program (review)
  2. John Shelton Lawrence
  3. pp. 116-118
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  1. Full Battle Rattle (review)
  2. Mike Dillon
  3. pp. 118-122
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  1. The Day I was Not Born (review)
  2. Ulrich Bach
  3. pp. 122-125
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  1. Garbo: The Spy (review)
  2. David A. Messenger
  3. pp. 125-127
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  1. Hey, Boo: Harper Lee & To Kill a Mockingbird (review)
  2. Marc C. Oxoby
  3. pp. 127-129
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  1. Dive! (review)
  2. Sara Sullivan
  3. pp. 130-131
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