1. The Mystère d'Adam and Christian Memory
  2. Jerome Mazzaro
  3. pp. 481-505
  4. DOI: 10.1353/cdr.1997.0050
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  1. Code-Switching in Medieval English Drama
  2. Hans-Jürgen Diller
  3. pp. 506-537
  4. DOI: 10.1353/cdr.1997.0016
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  1. "My charms crack not": The Alchemical Structure of The Tempest
  2. Peggy Muñoz Simonds
  3. pp. 538-570
  4. DOI: 10.1353/cdr.1997.0022
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  1. Damnable Deconstructions: Vice Language in the Interlude
  2. Alan Somerset
  3. pp. 571-588
  4. DOI: 10.1353/cdr.1997.0028
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  1. Roman Theater and Society ed. by William J. Slater (review)
  2. Sander M. Goldberg
  3. pp. 589-592
  4. DOI: 10.1353/cdr.1997.0034
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  1. The English Stage: A History of Drama and Performance by J. L. Styan (review)
  2. Greg Walker
  3. pp. 592-594
  4. DOI: 10.1353/cdr.1997.0041
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  1. Alexis: The Fragments; A Commentary by W. Geoffrey Arnott (review)
  2. David Konstan
  3. pp. 594-597
  4. DOI: 10.1353/cdr.1997.0048
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  1. Elizabethan Theater: Essays in Honor of S. Schoenbaum ed. by R. B. Parker and S. P. Zitner (review)
  2. David Bevington
  3. pp. 597-601
  4. DOI: 10.1353/cdr.1997.0014
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  1. Woman's Theatrical Space by Hanna Scolnicov (review)
  2. Regula Meyer Evitt
  3. pp. 601-604
  4. DOI: 10.1353/cdr.1997.0020
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  1. Impersonations: The Performance of Gender in Shakespeare's England by Stephen Orgel (review)
  2. James E. Robinson
  3. pp. 604-607
  4. DOI: 10.1353/cdr.1997.0026
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  1. The Tragedy of Origins: Pierre Corneille and Historical Perspective by John D. Lyons (review)
  2. Bradley Rubidge
  3. pp. 607-610
  4. DOI: 10.1353/cdr.1997.0032
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  1. Modern Arabic Drama: An Anthology ed. by Salma Khadra Jayyusi and Roger Allen (review)
  2. Nabil Matar
  3. pp. 610-612
  4. DOI: 10.1353/cdr.1997.0038
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  1. Theatre in the Solovki Prison Camp by Natalia Kuziakina (review)
  2. Sharon Marie Carnicke
  3. pp. 612-614
  4. DOI: 10.1353/cdr.1997.0045
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  1. Index to Volume 31 (1997-98)
  2. pp. 615-616
  3. DOI: 10.1353/cdr.1997.0011
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