In this Issue

Table of Contents

The Mystère d'Adam and Christian Memory

Jerome Mazzaro
pp. 481-505
DOI: https://doi.org/10.1353/cdr.1997.0050
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Code-Switching in Medieval English Drama

Hans-Jürgen Diller
pp. 506-537
DOI: https://doi.org/10.1353/cdr.1997.0016
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"My charms crack not": The Alchemical Structure of The Tempest

Peggy Muñoz Simonds
pp. 538-570
DOI: https://doi.org/10.1353/cdr.1997.0022
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Damnable Deconstructions: Vice Language in the Interlude

Alan Somerset
pp. 571-588
DOI: https://doi.org/10.1353/cdr.1997.0028
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Roman Theater and Society ed. by William J. Slater (review)

Sander M. Goldberg
pp. 589-592
DOI: https://doi.org/10.1353/cdr.1997.0034
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The English Stage: A History of Drama and Performance by J. L. Styan (review)

Greg Walker
pp. 592-594
DOI: https://doi.org/10.1353/cdr.1997.0041
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Alexis: The Fragments; A Commentary by W. Geoffrey Arnott (review)

David Konstan
pp. 594-597
DOI: https://doi.org/10.1353/cdr.1997.0048
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Elizabethan Theater: Essays in Honor of S. Schoenbaum ed. by R. B. Parker and S. P. Zitner (review)

David Bevington
pp. 597-601
DOI: https://doi.org/10.1353/cdr.1997.0014
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Woman's Theatrical Space by Hanna Scolnicov (review)

Regula Meyer Evitt
pp. 601-604
DOI: https://doi.org/10.1353/cdr.1997.0020
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Impersonations: The Performance of Gender in Shakespeare's England by Stephen Orgel (review)

James E. Robinson
pp. 604-607
DOI: https://doi.org/10.1353/cdr.1997.0026
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The Tragedy of Origins: Pierre Corneille and Historical Perspective by John D. Lyons (review)

Bradley Rubidge
pp. 607-610
DOI: https://doi.org/10.1353/cdr.1997.0032
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Modern Arabic Drama: An Anthology ed. by Salma Khadra Jayyusi and Roger Allen (review)

Nabil Matar
pp. 610-612
DOI: https://doi.org/10.1353/cdr.1997.0038
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Theatre in the Solovki Prison Camp by Natalia Kuziakina (review)

Sharon Marie Carnicke
pp. 612-614
DOI: https://doi.org/10.1353/cdr.1997.0045
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Index to Volume 31 (1997-98)

pp. 615-616
DOI: https://doi.org/10.1353/cdr.1997.0011
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