1. "Haunted by Places": Landscape in Three Plays by W. B. Yeats
  2. Natalie Crohn Schmitt
  3. pp. 337-366
  4. DOI: 10.1353/cdr.1997.0015
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  1. Felt Absences: The Stage Properties of Othello's Handkerchief
  2. Andrew Sofer
  3. pp. 367-393
  4. DOI: 10.1353/cdr.1997.0021
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  1. Warren Hastings in the Drama of Lion Feuchtwanger and Bertolt Brecht: Contexts and Connections
  2. T. H. Bowyer
  3. pp. 394-413
  4. DOI: 10.1353/cdr.1997.0027
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  1. Body and Ritual in Farquhar
  2. Derek Hughes
  3. pp. 414-435
  4. DOI: 10.1353/cdr.1997.0033
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  1. Sacred Blood and the Late Medieval Stage
  2. Clifford Davidson
  3. pp. 436-458
  4. DOI: 10.1353/cdr.1997.0039
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  1. Dramatic Concepts, Greek and Indian: A Study of the Poetics and the Nāṭyaśāstra by Bharat Gupt (review)
  2. David L. Gitomer
  3. pp. 459-463
  4. DOI: 10.1353/cdr.1997.0046
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  1. Pistoles/Paroles: Money and Language in Seventeenth-Century French Comedy by Helen L. Harrison (review)
  2. Bradley Rubidge
  3. pp. 464-466
  4. DOI: 10.1353/cdr.1997.0012
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  1. The Stage Designs of Inigo Jones: The European Context by John Peacock (review)
  2. Alan R. Young
  3. pp. 466-470
  4. DOI: 10.1353/cdr.1997.0018
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  1. The Biblical Drama of Medieval Europe by Lynette R. Muir (review)
  2. Molly Lynde-Recchia
  3. pp. 470-472
  4. DOI: 10.1353/cdr.1997.0024
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  1. More Scott Operas: Further Analyses of Operas Based on the Works of Sir Walter Scott by Jerome Mitchell (review)
  2. Bernard Zelechow
  3. pp. 472-475
  4. DOI: 10.1353/cdr.1997.0030
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  1. Florentine Drama for Convent and Festival: Seven Sacred Plays by Antonia Pulci (review)
  2. Nerida Newbigin
  3. pp. 475-477
  4. DOI: 10.1353/cdr.1997.0036
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  1. Fat King, Lean Beggar: Representations of Poverty in the Age of Shakespeare by William C. Carroll (review)
  2. Cynthia Marshall
  3. pp. 477-480
  4. DOI: 10.1353/cdr.1997.0043
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