In this Issue

Table of Contents

"Haunted by Places": Landscape in Three Plays by W. B. Yeats

Natalie Crohn Schmitt
pp. 337-366
DOI: https://doi.org/10.1353/cdr.1997.0015
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Felt Absences: The Stage Properties of Othello's Handkerchief

Andrew Sofer
pp. 367-393
DOI: https://doi.org/10.1353/cdr.1997.0021
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Warren Hastings in the Drama of Lion Feuchtwanger and Bertolt Brecht: Contexts and Connections

T. H. Bowyer
pp. 394-413
DOI: https://doi.org/10.1353/cdr.1997.0027
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Body and Ritual in Farquhar

Derek Hughes
pp. 414-435
DOI: https://doi.org/10.1353/cdr.1997.0033
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Sacred Blood and the Late Medieval Stage

Clifford Davidson
pp. 436-458
DOI: https://doi.org/10.1353/cdr.1997.0039
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Dramatic Concepts, Greek and Indian: A Study of the Poetics and the Nāṭyaśāstra by Bharat Gupt (review)

David L. Gitomer
pp. 459-463
DOI: https://doi.org/10.1353/cdr.1997.0046
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Pistoles/Paroles: Money and Language in Seventeenth-Century French Comedy by Helen L. Harrison (review)

Bradley Rubidge
pp. 464-466
DOI: https://doi.org/10.1353/cdr.1997.0012
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The Stage Designs of Inigo Jones: The European Context by John Peacock (review)

Alan R. Young
pp. 466-470
DOI: https://doi.org/10.1353/cdr.1997.0018
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The Biblical Drama of Medieval Europe by Lynette R. Muir (review)

Molly Lynde-Recchia
pp. 470-472
DOI: https://doi.org/10.1353/cdr.1997.0024
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More Scott Operas: Further Analyses of Operas Based on the Works of Sir Walter Scott by Jerome Mitchell (review)

Bernard Zelechow
pp. 472-475
DOI: https://doi.org/10.1353/cdr.1997.0030
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Florentine Drama for Convent and Festival: Seven Sacred Plays by Antonia Pulci (review)

Nerida Newbigin
pp. 475-477
DOI: https://doi.org/10.1353/cdr.1997.0036
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Fat King, Lean Beggar: Representations of Poverty in the Age of Shakespeare by William C. Carroll (review)

Cynthia Marshall
pp. 477-480
DOI: https://doi.org/10.1353/cdr.1997.0043
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