In this Issue

Table of Contents

A Note from the Guest Editor

Adeline Mueller
pp. 1-4
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“The Monstrous Rights of the Present”: Goethe and the Humanity of Die Zauberflöte

Jane K. Brown
pp. 5-19
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Live Marionettes and Divas on the Strings: Die Zauberflöte’s Interactions with Puppet Theater

Martin Nedbal
pp. 20-36
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(De)Translating Mozart: The Magic Flute in 1909 Paris

William Gibbons
pp. 37-53
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“So Take This Magic Flute and Blow. It Will Protect Us As We Go”: Impempe Yomlingo (2007–11) and South Africa’s Ongoing Transition

Sheila Boniface Davies, J. Q. Davies
pp. 54-71
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Papageno Redux: Repetition and the Rewriting of Character in Sequels to Die Zauberflöte

Hayoung Heidi Lee
pp. 72-87
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Who Were the Drei Knaben?

Adeline Mueller
pp. 88-103
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Mozart und Schikaneder, Ein theatralisches Gespräch über die Aufführung der Zauberflöte im Stadt-Theater

Joachim Perinet
pp. 108-121
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Mozart and Schikaneder, A Theatrical Dialogue on the Performance of Die Zauberflöte at the Stadt-Theater

Joachim Perinet
pp. 109-121
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Five Excerpts from Operratics

Michel Leiris
pp. 124-127
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An Introduction to Joachim Perinet’s “Mozart and Schikaneder: A Theatrical Dialogue”

Adeline Mueller
pp. 104-107
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Anybody’s Opera: An Introduction to Michel Leiris

Douglas Messerli
pp. 122-123
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