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In this Issue

Table of Contents

  1. A Note from the Guest Editor
  2. Adeline Mueller
  3. pp. 1-4
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  1. “The Monstrous Rights of the Present”: Goethe and the Humanity of Die Zauberflöte
  2. Jane K. Brown
  3. pp. 5-19
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  1. Live Marionettes and Divas on the Strings: Die Zauberflöte’s Interactions with Puppet Theater
  2. Martin Nedbal
  3. pp. 20-36
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  1. (De)Translating Mozart: The Magic Flute in 1909 Paris
  2. William Gibbons
  3. pp. 37-53
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  1. “So Take This Magic Flute and Blow. It Will Protect Us As We Go”: Impempe Yomlingo (2007–11) and South Africa’s Ongoing Transition
  2. Sheila Boniface Davies, J. Q. Davies
  3. pp. 54-71
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  1. Papageno Redux: Repetition and the Rewriting of Character in Sequels to Die Zauberflöte
  2. Hayoung Heidi Lee
  3. pp. 72-87
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  1. Who Were the Drei Knaben?
  2. Adeline Mueller
  3. pp. 88-103
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  1. Mozart und Schikaneder, Ein theatralisches Gespräch über die Aufführung der Zauberflöte im Stadt-Theater
  2. Joachim Perinet
  3. pp. 108-121
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  1. Mozart and Schikaneder, A Theatrical Dialogue on the Performance of Die Zauberflöte at the Stadt-Theater
  2. Joachim Perinet
  3. pp. 109-121
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  1. Five Excerpts from Operratics
  2. Michel Leiris
  3. pp. 124-127
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  1. An Introduction to Joachim Perinet’s “Mozart and Schikaneder: A Theatrical Dialogue”
  2. Adeline Mueller
  3. pp. 104-107
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  1. Anybody’s Opera: An Introduction to Michel Leiris
  2. Douglas Messerli
  3. pp. 122-123
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