In this Issue

Table of Contents

In the Mood for Thought: Feeling and Thinking in Philosophy

René Rosfort, Giovanni Stanghellini
pp. 395-417
DOI: https://doi.org/10.1353/nlh.2012.0031
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Moods and the Meaning of Philosophy

Lars Svendsen
pp. 419-431
DOI: https://doi.org/10.1353/nlh.2012.0033
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Thought in the Strenuous Mood: Pragmatism as a Philosophy of Feeling

Richard Shusterman
pp. 433-454
DOI: https://doi.org/10.1353/nlh.2012.0023
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Art Moods and Human Moods in Narrative Cinema

Carl Plantinga
pp. 455-475
DOI: https://doi.org/10.1353/nlh.2012.0025
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Towards a Phenomenology of Cinematic Mood: Boredom and the Affect of Time in Antonioni’s L’eclisse

John Rhym
pp. 477-501
DOI: https://doi.org/10.1353/nlh.2012.0027
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How A Revolutionary Counter-Mood Is Made

Jonathan Flatley
pp. 503-525
DOI: https://doi.org/10.1353/nlh.2012.0028
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In the Mood for Revolution: Emma Goldman’s Passion

Clare Hemmings
pp. 527-545
DOI: https://doi.org/10.1353/nlh.2012.0030
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The Languorous Critic

Ellis Hanson
pp. 547-564
DOI: https://doi.org/10.1353/nlh.2012.0032
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Precocious Jouissance: Roland Barthes, Amatory Maladjustment, and Emotion

Jane Gallop
pp. 565-582
DOI: https://doi.org/10.1353/nlh.2012.0034
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Introduction

Rita Felski, Susan Fraiman
pp. v-xii
DOI: https://doi.org/10.1353/nlh.2012.0029
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Contributors

pp. 583-584
DOI: https://doi.org/10.1353/nlh.2012.0024
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Books Received

pp. 585-586
DOI: https://doi.org/10.1353/nlh.2012.0026
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