In this Issue
- Volume 43, Number 3, Summer 2012
- In the Mood
- Issue
New Literary History focuses on questions of theory, method, interpretation, and literary history. Rather than espousing a single ideology or intellectual framework, it canvasses a wide range of scholarly concerns. By examining the bases of criticism, the journal provokes debate on the relations between literary and cultural texts and present needs. A major international forum for scholarly exchange, New Literary History has received six awards from the Council of Editors of Learned Journals.
published by
Johns Hopkins University Pressviewing issue
Volume 43, Number 3, Summer 2012Table of Contents
- Moods and the Meaning of Philosophy
- pp. 419-431
- DOI: 10.1353/nlh.2012.0033
- Art Moods and Human Moods in Narrative Cinema
- pp. 455-475
- DOI: 10.1353/nlh.2012.0025
- How A Revolutionary Counter-Mood Is Made
- pp. 503-525
- DOI: 10.1353/nlh.2012.0028
- The Languorous Critic
- pp. 547-564
- DOI: 10.1353/nlh.2012.0032
- Introduction
- pp. v-xii
- DOI: 10.1353/nlh.2012.0029
- Contributors
- pp. 583-584
- DOI: 10.1353/nlh.2012.0024
- Books Received
- pp. 585-586
- DOI: 10.1353/nlh.2012.0026
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Additional Information
ISSN
1080-661X
Print ISSN
0028-6087
Launched on MUSE
2012-11-08
Open Access
No
Copyright
Copyright © New Literary History, The University of Virginia
