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Table of Contents

  1. Before Love, Memory
  2. Daisy Hernández
  3. pp. 1-15
  4. DOI: https://doi.org/10.1353/fge.2012.0057
  5. restricted access
  1. And So You Begin Again for the First Time
  2. Kate Carroll de Gutes
  3. pp. 17-23
  4. DOI: https://doi.org/10.1353/fge.2012.0033
  5. restricted access
  1. Silk, Allergies, Sisters, and Incompleteness
  2. Matthew Gavin Frank
  3. pp. 25-32
  4. DOI: https://doi.org/10.1353/fge.2012.0038
  5. restricted access
  1. The Ballet Teacher
  2. Amy Schleunes
  3. pp. 33-34
  4. DOI: https://doi.org/10.1353/fge.2012.0042
  5. restricted access
  1. Fall Rounds
  2. Toni Mirosevich
  3. pp. 35-45
  4. DOI: https://doi.org/10.1353/fge.2012.0046
  5. restricted access
  1. Heresies of the Holy
  2. Kathryn Winograd
  3. pp. 47-51
  4. DOI: https://doi.org/10.1353/fge.2012.0050
  5. restricted access
  1. Come with Me to Taco Tuesday
  2. Richard Hackler
  3. pp. 53-56
  4. DOI: https://doi.org/10.1353/fge.2012.0055
  5. restricted access
  1. Fragments of the Artist Collected in Her Studio
  2. T. E. Winningham III
  3. pp. 57-64
  4. DOI: https://doi.org/10.1353/fge.2012.0031
  5. restricted access
  1. How to Get Ready for Bed
  2. Brenda Miller
  3. pp. 65-70
  4. DOI: https://doi.org/10.1353/fge.2012.0036
  5. restricted access
  1. The Problem I Am Having Is One of Scale
  2. Emily DePrang
  3. pp. 71-77
  4. DOI: https://doi.org/10.1353/fge.2012.0040
  5. restricted access
  1. Kimchee
  2. Nina Yun
  3. pp. 79-91
  4. DOI: https://doi.org/10.1353/fge.2012.0044
  5. restricted access
  1. Growing, Vegetables
  2. Ann Hillesland
  3. pp. 93-96
  4. DOI: https://doi.org/10.1353/fge.2012.0048
  5. restricted access
  1. Things
  2. Lauren Gullion
  3. pp. 97-102
  4. DOI: https://doi.org/10.1353/fge.2012.0053
  5. restricted access
  1. New York Aphorisms
  2. Sharon Dolin
  3. pp. 103-113
  4. DOI: https://doi.org/10.1353/fge.2012.0029
  5. restricted access
  1. Advice on Arbor Day
  2. Marsha McGregor
  3. pp. 115-116
  4. DOI: https://doi.org/10.1353/fge.2012.0034
  5. restricted access
  1. Digression and Memory: The Handmaiden Effect
  2. Paula Marafino Bernett
  3. pp. 119-127
  4. DOI: https://doi.org/10.1353/fge.2012.0039
  5. restricted access
  1. Four Hands Improvising on a Piano
  2. Paula Marafino Bernett
  3. pp. 129-131
  4. DOI: https://doi.org/10.1353/fge.2012.0043
  5. restricted access
  1. How to Tar and Feather a Thief
  2. Rachel E. Pollock
  3. pp. 133-146
  4. DOI: https://doi.org/10.1353/fge.2012.0047
  5. restricted access
  1. Material Safety Data Sheet
  2. Rachel E. Pollock
  3. pp. 147-153
  4. DOI: https://doi.org/10.1353/fge.2012.0051
  5. restricted access
  1. Writers as Readers
  2. Will Jennings
  3. pp. 155-156
  4. DOI: https://doi.org/10.1353/fge.2012.0056
  5. restricted access
  1. Needles and Devils: Reading Memories
  2. Cecile Goding
  3. pp. 157-163
  4. DOI: https://doi.org/10.1353/fge.2012.0032
  5. restricted access
  1. Gutenberg.now: Some Thoughts on Blogs and Essays
  2. Joe Bonomo
  3. pp. 165-171
  4. DOI: https://doi.org/10.1353/fge.2012.0037
  5. restricted access
  1. On Lyric Essays and Dancing in Sequined Pants
  2. Steven Church
  3. pp. 173-179
  4. DOI: https://doi.org/10.1353/fge.2012.0041
  5. restricted access
  1. Who Am I and Who Are We?
  2. Leigh Gilmore
  3. pp. 181-183
  4. DOI: https://doi.org/10.1353/fge.2012.0045
  5. restricted access
  1. In Defense of Art (at Truth’s Expense)
  2. Ryan Van Meter
  3. pp. 185-188
  4. DOI: https://doi.org/10.1353/fge.2012.0049
  5. restricted access
  1. Chop Words, Carry Sentences
  2. Paul Haney
  3. pp. 189-194
  4. DOI: https://doi.org/10.1353/fge.2012.0054
  5. restricted access
  1. The Video Auteur
  2. Marilyn Freeman
  3. pp. 195-203
  4. DOI: https://doi.org/10.1353/fge.2012.0030
  5. restricted access
  1. Editor’s Note
  2. Laura Julier
  3. pp. vii-x
  4. DOI: https://doi.org/10.1353/fge.2012.0052
  5. restricted access
  1. About the Contributors
  3. pp. 205-210
  4. DOI: https://doi.org/10.1353/fge.2012.0035
  5. restricted access