1. LMJ 22: Acoustics
  2. Nicolas Collins
  3. pp. 1-2
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  1. A Compositional Approach Derived from Material and Ephemeral Elements
  2. Ellen Fullman
  3. pp. 3-10
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  1. Environmental Sonification of Rainfall with Long Wire Instruments
  2. David Burraston
  3. pp. 11-14
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  1. Acoustics: Real Life, Real Time—Why the Flutist and Flute Had to Evolve
  2. Robert Dick
  3. pp. 15-16
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  1. Materials Innovation in Acoustic Guitars: Challenging the Tonal Superiority of Wood
  2. Owain Pedgley, Eddie Norman
  3. pp. 17-24
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  1. Resonance: From the Architectural to the Microscopic
  2. John Driscoll
  3. pp. 25-33
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  1. Miraculous Agitations: On the Uses of Chaotic, Non-Linear and Emergent Behavior in Acoustic Vibrating Physical Systems
  2. Daniel Wilson
  3. pp. 35-40
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  1. Musical Robotics in a Loudspeaker World: Developments in Alternative Approaches to Localization and Spatialization
  2. Jim Murphy, Ajay Kapur, Dale Carnegie
  3. pp. 41-48
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  1. TAPIR Sound as a New Medium for Music
  2. Woon Seung Yeo, Keunhyoung Kim, Seunghun Kim, Jeong-seob Lee
  3. pp. 49-51
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  1. Weakness, Ambience and Irrelevance: Failure as a Method for Acoustic Variety
  2. Tim Feeney
  3. pp. 53-54
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  1. Sonic Objects, Resonance and Chaotics
  2. Phil Edelstein
  3. p. 54
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  1. Organ of Corti: A Listening Device
  2. David Prior
  3. p. 55
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  1. Acoustic Mirage: A Psychoacoustic Sound Installation
  2. Ellen Band
  3. p. 56
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  1. Sustained Tones and the Auditory Experience
  2. Richard Glover
  3. pp. 56-57
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  1. Sound Is Not Enough
  2. Henry Gwiazda
  3. pp. 57-58
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  1. Soundscape as Interface: The Threshold Project
  2. Kristian Derek Ball
  3. pp. 58-59
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  1. Ear as Instrument
  2. Christopher Haworth
  3. pp. 61-62
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  1. The Silenced Listener: Architectural Acoustics, the Concert Hall and the Conditions of Audience
  2. Lewis Kaye
  3. pp. 63-65
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  1. Sonification and Acoustic Environments
  2. Scot Gresham-Lancaster, Peter Sinclair
  3. pp. 67-71
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  1. On the Conception and Measure of Consonance
  2. Alex Wand
  3. pp. 73-78
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  1. It's for You: Muddy Waters's "Long Distance Call" and How Delta Blues Re-Set the Controls for the Heart of the Earth
  2. David First
  3. pp. 79-84
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  1. On-Line Supplement: Lucier Celebration
  2. pp. 87-88
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  1. LMJ22 CD: Acoustics
  2. Daniel James Wolf
  3. p. 89
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  1. 2012 Author Index: Leonardo Volume 45 and Leonardo Music Journal Volume 22
  2. pp. 99-103
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  1. Leonardo Network News
  2. pp. 104-105
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  1. Introduction On-Line Supplement: Lucier Celebration
  2. Ronald Kuivila
  3. pp. 85-86
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  1. CD Companion Introduction: Acoustics
  2. Daniel James Wolf
  3. pp. 90-91
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  1. Acoustics: Contributors' Notes
  2. pp. 93-97
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