In this Issue

Table of Contents

Introduction

Luis Gámez
pp. 1-6
DOI: https://doi.org/10.1353/cdr.1997.0009
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Who Counts in Farquhar?

Derek Hughes
pp. 7-27
DOI: https://doi.org/10.1353/cdr.1997.0001
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Castrati, Balzac, and BartheS/Z

Yvonne Noble
pp. 28-41
DOI: https://doi.org/10.1353/cdr.1997.0003
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The Classical Treatment of Don Juan in Tirso, Molière, and Mozart: What Cultural Work Does It Perform?

J. Douglas Canfield
pp. 42-64
DOI: https://doi.org/10.1353/cdr.1997.0005
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Masks of the Empress: Polyphony of Personae in Catherine the Great's Oh, These Times!

Lurana Donnels O'Malley
pp. 65-85
DOI: https://doi.org/10.1353/cdr.1997.0006
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"Wonder not, princely Gloster, at the notice this paper brings you": Women, Writing, and Politics in Rowe's Jane Shore

Jones DeRitter
pp. 86-104
DOI: https://doi.org/10.1353/cdr.1997.0007
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"Forget Scotland": Plays by Scots on the London Stage, 1667-1715

Adrienne Scullion
pp. 105-128
DOI: https://doi.org/10.1353/cdr.1997.0008
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Fortunes and Misfortunes of the Spanish Lyric Theater in the Eighteenth Century

John Dowling
pp. 129-157
DOI: https://doi.org/10.1353/cdr.1997.0000
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Bianca de'Rossi as Play, Ballet, Opera: Contours of "Modern" Historical Tragedy in the 1790s

Marita Petzoldt McClymonds
pp. 158-177
DOI: https://doi.org/10.1353/cdr.1997.0002
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Canon, Pedagogy, Prospectus: Redesigning "Restoration and Eighteenth-Century English Drama"

Richard Bevis
pp. 178-191
DOI: https://doi.org/10.1353/cdr.1997.0004
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