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Table of Contents

  1. Who Counts in Farquhar?
  2. Derek Hughes
  3. pp. 7-27
  4. DOI: https://doi.org/10.1353/cdr.1997.0001
  5. restricted access
  1. Castrati, Balzac, and BartheS/Z
  2. Yvonne Noble
  3. pp. 28-41
  4. DOI: https://doi.org/10.1353/cdr.1997.0003
  5. restricted access
  1. The Classical Treatment of Don Juan in Tirso, Molière, and Mozart: What Cultural Work Does It Perform?
  2. J. Douglas Canfield
  3. pp. 42-64
  4. DOI: https://doi.org/10.1353/cdr.1997.0005
  5. restricted access
  1. Masks of the Empress: Polyphony of Personae in Catherine the Great's Oh, These Times!
  2. Lurana Donnels O'Malley
  3. pp. 65-85
  4. DOI: https://doi.org/10.1353/cdr.1997.0006
  5. restricted access
  1. "Wonder not, princely Gloster, at the notice this paper brings you": Women, Writing, and Politics in Rowe's Jane Shore
  2. Jones DeRitter
  3. pp. 86-104
  4. DOI: https://doi.org/10.1353/cdr.1997.0007
  5. restricted access
  1. "Forget Scotland": Plays by Scots on the London Stage, 1667-1715
  2. Adrienne Scullion
  3. pp. 105-128
  4. DOI: https://doi.org/10.1353/cdr.1997.0008
  5. restricted access
  1. Fortunes and Misfortunes of the Spanish Lyric Theater in the Eighteenth Century
  2. John Dowling
  3. pp. 129-157
  4. DOI: https://doi.org/10.1353/cdr.1997.0000
  5. restricted access
  1. Bianca de'Rossi as Play, Ballet, Opera: Contours of "Modern" Historical Tragedy in the 1790s
  2. Marita Petzoldt McClymonds
  3. pp. 158-177
  4. DOI: https://doi.org/10.1353/cdr.1997.0002
  5. restricted access
  1. Canon, Pedagogy, Prospectus: Redesigning "Restoration and Eighteenth-Century English Drama"
  2. Richard Bevis
  3. pp. 178-191
  4. DOI: https://doi.org/10.1353/cdr.1997.0004
  5. restricted access
  1. Introduction
  2. Luis Gámez
  3. pp. 1-6
  4. DOI: https://doi.org/10.1353/cdr.1997.0009
  5. restricted access