1. Kori Torahiko and Edith Craig: A Japanese Playwright in London and Toronto
  2. Yoko Chiba
  3. pp. 431-451
  4. DOI: 10.1353/cdr.1996.0037
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  1. The English Pater Noster Play: Evidence and Extrapolations
  2. Diana Wyatt
  3. pp. 452-470
  4. DOI: 10.1353/cdr.1996.0044
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  1. Humoral Psychology in Shakespeare's Henriad
  2. Robert L. Reid
  3. pp. 471-502
  4. DOI: 10.1353/cdr.1996.0004
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  1. Pirandello's Sei Personaggi and Expressive Form
  2. Jerome Mazzaro
  3. pp. 503-524
  4. DOI: 10.1353/cdr.1996.0011
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  1. Sforza Oddi and the Commedia Grave: Setting the Stage for Shakespeare
  2. Robert W. Leslie
  3. pp. 525-551
  4. DOI: 10.1353/cdr.1996.0018
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  1. The Purpose of Playing: Shakespeare and the Cultural Politics of the Elizabethan Theatre by Louis Montrose (review)
  2. Ralph Berry
  3. pp. 552-555
  4. DOI: 10.1353/cdr.1996.0026
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  1. Postmodern Theatric(k)s: Monologue in Contemporary American Drama by Deborah R. Geis (review)
  2. Carla J. McDonough
  3. pp. 555-557
  4. DOI: 10.1353/cdr.1996.0034
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  1. The Play of Paradox: Stage and Sermon in Renaissance England by Bryan Crockett (review)
  2. Dympna Callaghan
  3. pp. 561-563
  4. DOI: 10.1353/cdr.1996.0001
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  1. El Canto de la Sibila, I: León y Castilla by Maricarmen Góomez Muntané (review)
  2. Clyde W. Brockett
  3. pp. 567-570
  4. DOI: 10.1353/cdr.1996.0015
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  1. Anglo-American Interplay in Recent Drama by Ruby Cohn (review)
  2. James Coakley
  3. pp. 570-572
  4. DOI: 10.1353/cdr.1996.0023
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  1. Index to Volume 30 (1996-97)
  2. p. 573
  3. DOI: 10.1353/cdr.1996.0031
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