In this Issue

Table of Contents

"What means Sicilia? He something seems unsettled": Sicily, Russia, and Bohemia in The Winter's Tale

R. W. Desai
pp. 311-324
DOI: https://doi.org/10.1353/cdr.1996.0042
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Ariel Dorfman and Harold Pinter: Politics of the Periphery and Theater of the Metropolis

Stephen Gregory
pp. 325-345
DOI: https://doi.org/10.1353/cdr.1996.0002
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Predestination and the Heresy of Merit in Othello

Maurice Hunt
pp. 346-376
DOI: https://doi.org/10.1353/cdr.1996.0009
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Staging L'Omme Pecheur and The Castle of Perseverance

Peter Happé
pp. 377-394
DOI: https://doi.org/10.1353/cdr.1996.0016
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Granville Barker's Production of The Winter's Tale (1912)

Brian Pearce
pp. 395-411
DOI: https://doi.org/10.1353/cdr.1996.0024
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Shakespeare in the New Europe ed. by Michael Hattaway and Boika Sokolova and Derek Roper (review)

Hans-Jürgen Diller
pp. 412-415
DOI: https://doi.org/10.1353/cdr.1996.0032
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Shakespeare and the Jews by James Shapiro (review)

Grace Tiffany
pp. 415-417
DOI: https://doi.org/10.1353/cdr.1996.0039
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Gendering Bodies/Performing Art: Dance and Literature in Early Twentieth-Century British Culture by Amy Koritz (review)

Stanton B. Garner Jr.
pp. 417-420
DOI: https://doi.org/10.1353/cdr.1996.0046
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Hamlet in Japan ed. by Yoshiko Uéno (review)

Mikiko Ishii
pp. 420-422
DOI: https://doi.org/10.1353/cdr.1996.0006
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The World of Samuel Beckett 1906-1946 by Lois Gordon (review)

J. C. C. Mays
pp. 423-426
DOI: https://doi.org/10.1353/cdr.1996.0013
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Inwardness and the Theater in the English Renaissance by Katharine Eisaman Maus (review)

Maria Teresa M. Prendergast
pp. 426-428
DOI: https://doi.org/10.1353/cdr.1996.0021
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Theatre and State in France, 1760-1905 by Hemmings, F. W. J. (review)

Felicia Hardison Londré
pp. 428-430
DOI: https://doi.org/10.1353/cdr.1996.0029
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