1. "What means Sicilia? He something seems unsettled": Sicily, Russia, and Bohemia in The Winter's Tale
  2. R. W. Desai
  3. pp. 311-324
  4. DOI: 10.1353/cdr.1996.0042
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  1. Ariel Dorfman and Harold Pinter: Politics of the Periphery and Theater of the Metropolis
  2. Stephen Gregory
  3. pp. 325-345
  4. DOI: 10.1353/cdr.1996.0002
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  1. Predestination and the Heresy of Merit in Othello
  2. Maurice Hunt
  3. pp. 346-376
  4. DOI: 10.1353/cdr.1996.0009
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  1. Staging L'Omme Pecheur and The Castle of Perseverance
  2. Peter Happé
  3. pp. 377-394
  4. DOI: 10.1353/cdr.1996.0016
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  1. Granville Barker's Production of The Winter's Tale (1912)
  2. Brian Pearce
  3. pp. 395-411
  4. DOI: 10.1353/cdr.1996.0024
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  1. Shakespeare in the New Europe ed. by Michael Hattaway and Boika Sokolova and Derek Roper (review)
  2. Hans-Jürgen Diller
  3. pp. 412-415
  4. DOI: 10.1353/cdr.1996.0032
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  1. Shakespeare and the Jews by James Shapiro (review)
  2. Grace Tiffany
  3. pp. 415-417
  4. DOI: 10.1353/cdr.1996.0039
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  1. Hamlet in Japan ed. by Yoshiko Uéno (review)
  2. Mikiko Ishii
  3. pp. 420-422
  4. DOI: 10.1353/cdr.1996.0006
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  1. The World of Samuel Beckett 1906-1946 by Lois Gordon (review)
  2. J. C. C. Mays
  3. pp. 423-426
  4. DOI: 10.1353/cdr.1996.0013
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  1. Inwardness and the Theater in the English Renaissance by Katharine Eisaman Maus (review)
  2. Maria Teresa M. Prendergast
  3. pp. 426-428
  4. DOI: 10.1353/cdr.1996.0021
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  1. Theatre and State in France, 1760-1905 by Hemmings, F. W. J. (review)
  2. Felicia Hardison Londré
  3. pp. 428-430
  4. DOI: 10.1353/cdr.1996.0029
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