1. Tragedy, Gender, Performance: Women as Tragic Heroes on the Nineteenth-Century Stage
  2. Anne Russell
  3. pp. 135-157
  4. DOI: 10.1353/cdr.1996.0017
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  1. Brecht on Shakespeare: A Revaluation
  2. Doc Rossi
  3. pp. 158-187
  4. DOI: 10.1353/cdr.1996.0025
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  1. Devils and Vices in English Non-Cycle Plays: Sacrament and Social Body
  2. John D. Cox
  3. pp. 188-219
  4. DOI: 10.1353/cdr.1996.0033
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  1. "The care ... of subjects' good": Pericles, James I, and the Neglect of Government
  2. Stuart M. Kurland
  3. pp. 220-244
  4. DOI: 10.1353/cdr.1996.0040
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  1. The Popular Theater of Samuel Foote and British National Identity
  2. Susan Lamb
  3. pp. 245-265
  4. DOI: 10.1353/cdr.1996.0000
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  1. The Middle Cornish Interlude: Genre and Tradition
  2. Evelyn S. Newlyn
  3. pp. 266-281
  4. DOI: 10.1353/cdr.1996.0007
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  1. Records of Early English Drama: Shropshire by J. Alan B. Somerset (review)
  2. Darryll Grantley
  3. pp. 282-285
  4. DOI: 10.1353/cdr.1996.0014
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  1. O'Neill's Shakespeare by Normand Berlin (review)
  2. Michael Hinden
  3. pp. 285-286
  4. DOI: 10.1353/cdr.1996.0022
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  1. Pirandello and Film by Nina Davinci Nichols and Jana O'Keefe Bazzoni (review)
  2. Jerome Mazzaro
  3. pp. 286-290
  4. DOI: 10.1353/cdr.1996.0030
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  1. Feminisms and the Honor Plays of Lope de Vega by Yvonne Yarbro-Bejarano (review)
  2. Margaret Rich Greer
  3. pp. 290-292
  4. DOI: 10.1353/cdr.1996.0038
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  1. Erotic Beasts and Social Monsters: Shakespeare, Jonson, and Comic Androgyny by Grace Tiffany (review)
  2. Kent Cartwright
  3. pp. 292-296
  4. DOI: 10.1353/cdr.1996.0045
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  1. Oscar Wilde: A Long and Lovely Suicide by Melissa Knox (review)
  2. James Coakley
  3. pp. 296-300
  4. DOI: 10.1353/cdr.1996.0005
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  1. Missing Persons: Character and Characterization in Modern Drama by William Gruber (review)
  2. James M. Harding
  3. pp. 300-302
  4. DOI: 10.1353/cdr.1996.0012
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  1. Tozai Engeki no Deai by Sang-Kyong Lee (review)
  2. Yoko Chiba
  3. pp. 302-305
  4. DOI: 10.1353/cdr.1996.0019
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  1. As She Likes It: Shakespeare's Unruly Women by Penny Gay (review)
  2. Lisa S. Starks
  3. pp. 305-308
  4. DOI: 10.1353/cdr.1996.0027
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  1. Symbolist Theater: The Formation of an Avant-Garde by Frantisek Deak (review)
  2. Venne-Richard Londré
  3. pp. 309-310
  4. DOI: 10.1353/cdr.1996.0035
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